|
|
|
|
#1
|
||||
|
||||
|
But was not the Live album version taken from the Rumours tour?
__________________
|
| . |
|
#2
|
|||
|
|||
|
That's possible. I do know some of those tracks are from the Rumors tour. I just forget which ones.
__________________
|
|
#3
|
|||
|
|||
|
The Live album Rhiannon is definitely Rumours Tour era.
|
|
#4
|
|||
|
|||
|
It's really evolved at that point. They nailed it on the LIVE album.
__________________
|
|
#5
|
||||
|
||||
|
The CD book mentions Rhiannon - London. No dates are specified in any song.
But the Amazon and Wikipedia pages mention London 1980; actually Wikipedia says Rhiannon - 6/26/80, Wembley Arena, London. No source specified, I always try to find the original source cause Wikipedia is not always accurate. On both web pages there is no mention of Rumours tour in any song. However Don't let me down agian says 10/17/75, Capitol Theater, Passaic in Wikipedia, but in Amazon it says Live 1980, Passaic, NJ, so obviously these pages are not completely reliable. Now, how can we be sure Rhiannon was from Rumours tour? Did you find any reliable source, video, etc.?
__________________
|
|
#6
|
||||
|
||||
|
Quote:
Stevie stopped introducing the Welch Witch after the Rumours tour. Over My Head was not even performed on the Tusk tour. There is no better live version of Rhiannon than the Rumours tour so I understand why it was selected for the 1980 Live album.
__________________
|
|
#7
|
|||
|
|||
|
Quote:
__________________
|
|
#8
|
||||
|
||||
|
The Live album also has (IMHO)
The best Over My Head The best I'm So Afraid The best Oh Well (sorry Peter, Billy, and Mike) The best Sara (until I found out it was touched) The best Rhiannon
__________________
|
|
#9
|
||||
|
||||
|
Quote:
The cuts that are not from the 1979–80 tour are:
__________________
moviekinks.blogspot.com |
|
#10
|
||||
|
||||
|
Quote:
Still trying to figure out how Over & Over, Not That Funny and Never Going Back Again ended up on that over Second Hand News, Tusk, and You Make Loving Fun and maybe a few other songs, like Songbird and I Know I’m Not Wrong. It’s a bit too much.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
|
#11
|
|||
|
|||
|
Quote:
__________________
|
|
#12
|
||||
|
||||
|
(insert David chuckle here)
Quote:
I think that album has plenty of highlights from both eras — certainly “Go Your Own Way” introduced people to a side of the band they would not have known unless they had attended one of the shows — but the decision to use these pseudo-soundcheck performances of “Don’t Stop” and “Dreams” was bizarro. I bet the album was pulled together quickly and hasty non-decisions were made. The tour ended in early September with the plan to release that last show — and on December 8, the album was out. That’s f***ing fast for Fleetwood Mac. You might even call that album a rush job. Imagine someone scrambling around in all those tour stops from the past five years, grabbing songs from here and there. It could not have taken more than a few weeks to do all that work. I don’t even know when new vocals were added (or where). Actually, the only new vocals I can hear are “Sara” (a very bizarre decision to redo the vocal on nearly the entire song) and some backing vocals on “Over and Over.” We’ve always said that the album has a lot of post-production sweetening, but I don’t think it does. There simply wasn’t time. A December 8 release means that mixing, mastering, artwork, marketing, etc., has to be done in November or October. At some point in September, the band reconvened to do the new tracks. Mac left themselves no time to get this Christmas release out the door. Maybe they should have waited until spring but figured that the tour hoopla would have been dead by then.
__________________
moviekinks.blogspot.com Last edited by David; 09-19-2023 at 01:04 PM.. |
|
#13
|
|||
|
|||
|
Quote:
The Chain, Tusk, Sisters, You Make Loving Fun, Second Hand News, and a legit recording of Don’t Stop belonged on that album well ahead of some of the chosen songs. I’m glad the Tusk Deluxe and Live Deluxe addressed some of the missing links. |
|
#14
|
||||
|
||||
|
Quote:
It was controversial within the band, this record, because I was the only one who wanted to do it. It was not a popular decision. Both John McVie and Lindsey Buckingham thought it was a negative move, but I always bought Greatest Hits albums myself, and I strongly felt there had to be a live document of the band at this point. Besides, we had great material to work with, recorded all over the world: "Monday Morning" from Tokyo, "Say You Love Me" from Wichita, ''Dreams" from the Paris sound check, a psychedelic "Oh Well" from St. Louis, "Rhiannon" from London, and so on. We also set up our gear and played three new songs "live" for an audience of crew and friends at the Santa Monica Civic Center Stevie's "Fireflies," Chris's "One More Night," and a Fleetwood Mac harmony orgy in homage to Brian Wilson's "The Farmer's Daughter." Later in the year, we released Fleetwood Mac Live as a double album, and it wasn't a big success. There were many accusations of "We told you so," but I have no regrets.
__________________
|
|
#15
|
|||
|
|||
|
Quote:
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|

$5.40
$8.05
$8.05
Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae
$59.99
Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae
$38.99