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So opening night meaning, August 29th. I believe ledgies before I'd believe even Christine. Plus, it's not their job to keep track of all that. It's the publishers.
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As is the case with most artists, the record company owns the original master recordings and artists make very little residuals from the masters.
Do the members of Fleetwood Mac profit when Rhino Records repackages and re-releases live recordings. Do they own the live recordings, or are they also property of Warner Brothers Records along with the masters? |
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I have no idea how many live cuts from pre-1975 albums have been released. But all of this has been such a blessing and such a highlight of otherwise very meagre Fleetwood Mac years.
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moviekinks.blogspot.com |
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When I went back to count up everything, Viv, I was amazed at the number: 78 live cuts. And I haven’t counted the pre-1975 stuff because it’s all over the place. How can you beat that? This is better than caring about which Heartbreaker joined which Fleetwood Mac when and whether you could actually hear him play above the nonstop wall of noise from 25 musicians on the back line. The only thing I would have preferred from Rhino is concerts in their entirety — this Forum show is a great start (let’s hope it’s a start). It may not be our actual favorite tour stop, but it immerses you in a single night’s performance with its rising and falling narrative and unified experience. Fleetwood Mac concerts used to tell a good tale, and their live tracks don’t really benefit by being mixed and matched. The legendary live albums in rock and jazz were almost always a single performance.
Next up, Rhino could track down and release a cleaner Trod Nossel 1975 studio/radio set. That’s the obvious follow-up to the White Album deluxe.
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moviekinks.blogspot.com |
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