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#1
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'Lindsey finally arrived at the studio late that afternoon. Christine was on a roll. She already had the electric piano and signature clav tracks. Next, she wanted to lay down an organ bed to smooth out the whole track and also add a deep rich colour of a Hammond organ sound far back in the track. Lindsey was very happy with Christine's song and her parts. I think he was really proud of her. He sat down and quietly rolled a couple of joints while she was finishing up.' |
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#2
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I love the song too. Its written so well and the music is so good. Lindsey's awesome guitar licks take the song to another level. Its sweet from the heart but it also rocks.
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#3
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#4
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I prefer the demo version with Stevie singing the chorus. Same with Oh Daddy actually. I always wonder whose idea it was not to use Stevie, and if she was offended?!
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#5
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I wondered that, too. That vocal is everything. It's an amazing tune.
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#6
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The demo version that later appeared on the RUMOURS DELUX edition with Stevie singing harmony vocals on the chorus to "You Make Loving Fun" is one the BEST recorded Fleetwood Mac moments......PERIOD. This harmony vocal should have been kept on the release. Nonetheless, Stevie duplicated it in concert for YEARS when she added harmony vocals to Chris' chorus of YMLF. For awhile, from 82-14, Stevie stopped singing on the chorus at live performances. I was ELATED and OVERJOYED to see that, during the 2014/15 Tour, Stevie was BACK singing harmony chorus vocals during "You Make Loving Fun". Praise be to the Mac Gods! Rock on, High Priestess, go ahead Lily, HARMONIZE IT!!!!
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#7
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I do like the version with Stevie singing the chorus with Christine, but I like the version they chose to put on Rumours better. I love the way the ahhhhahhhhahhhh during the chorus sounds. I can definitely hear Lindsey in the ahhhhhahhhhahhh but I can't make out if it's all three or them or Lindsey and Stevie or Lindsey and Christine. Last edited by Wdm6789; 02-02-2016 at 11:39 PM.. |
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#8
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JMHO but I just think they turned Stevie's background vocals way way down. If you listen hard you can barely hear Stevie if not at all. I like the final cut and its no offense to Stevie. The harmony and Stevie sounds good but maybe too good and is a distraction from the rest of the song. Its a rocking love song straight through. I think removing or turning down Stevie gives the song more oomph IMHO.
The way those synthesizers hum and churn is so pleasing to the ears. Chris does a wonderful job!
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#9
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Add me to the camp that prefers the Deluxe/alternate version. Its a combination of Stevie's locals and that musical interlude after the second verse-now THAT is one the best Mac moments, and I can't believe they left that part off the album version. It is so dreamy.
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"and the woman may be awestruck and the woman may truely care, but the woman is so tired...so the woman disappears...come in out of the darkness, bella donna....my soul"- Stevie Nicks, "Bella Donna" ---In memory of my mom, Donna Jean (Jeannie) Allen Commins, 1957-2008- My Bella Donna. |
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#10
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At the same time, Stevie's other contributions to the final studio "Oh Daddy" and "YMLF" are important, as are her backing vocals on "Honey Hi," "Never Forget," "Love in Store" and "Everywere." I think LB and CM just made judgment calls as to whether or not her voice sounded good in certain areas of certain songs. Later on, when LB left, Stevie's presence on Christine's songs was still carefully placed--she's only audible on parts of "Save Me" and "Heart of Stone." Last edited by aleuzzi; 08-31-2016 at 03:48 PM.. |
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#11
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