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#1
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The point I'm trying to make, if Christine McVie ever left Fleetwood Mac during that period, it was a pretty big secret. Even to the rest of the band, apparently.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 02-11-2015 at 11:46 PM.. |
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![]() John Last edited by wetcamelfood; 02-12-2015 at 06:44 AM.. |
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Last edited by Mr Scarrott; 02-12-2015 at 11:04 AM.. |
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John |
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The more I read about this, the more I think you're correct.
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My theory has always been that Christine was there from the beginning, but started pulling back after Dave Mason joined. I think the only songs she wasn't on were the album version of "Blow By Blow" (as in I think she was on the 1994 "Soccer Rocks the Globe"version) and "These Strange Times" because the operative word on the album was "additional".
How tired was Christine of the other "new" members of the "Time" band? So tired that the closing track of her 2004 solo album was cowritten with and featured Billy Burnette. We've known for years that Christine wasn't happy with Dave Mason. However, we've just learned that Bekka wasn't happy with Dave, nor was Richard Dashut, in the past year. Why the hell they kept him around is beyond me. A tour with Mick, John, Bekka, Billy, Neale, and Brett would have been great.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 02-12-2015 at 11:17 PM.. |
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no matter how murky the backstory to Time may be, I do think it is, by and large, a far superior album to Behind The Mask. The sound is cleaner, more organic (minus the tinny keyboards) and Bekka and Billy sound great together. Christine's songs are an unexpected treat. Her voice is fantastic on all of them. With the exception of "All Over Again," the songs are strong and, given proper arrangements and editing, would have made great contributions to a Rumours-era album. As they stand, "Hollywood" and "Nights in Estoril" are already excellent.
Last edited by aleuzzi; 02-13-2015 at 08:51 AM.. |
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