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  #1  
Old 12-06-2014, 08:24 PM
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HomerMcvie HomerMcvie is offline
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i know, right? more and more people all of the sudden here saying things along these lines. what's up with that?
Honestly, for decades now, my "Stevie issues" really had more to do with her lemming like fanbase, than Stevie herself. In the past few years though, it's now a dead heat!
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  #2  
Old 12-07-2014, 01:24 AM
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Originally Posted by HomerMcvie View Post
Honestly, for decades now, my "Stevie issues" really had more to do with her lemming like fanbase, than Stevie herself. In the past few years though, it's now a dead heat!
"Lemming like fanbase"? Please explain or give an example.

Jamie
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  #3  
Old 12-07-2014, 02:17 AM
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"Lemming like fanbase"? Please explain or give an example.

Jamie
Applying to ANYONE who thinks OSOTM is awesome. That she can do no wrong. Yeah, them.
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Old 12-07-2014, 04:48 AM
michelej1 michelej1 is offline
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Originally Posted by HomerMcvie View Post
Applying to ANYONE who thinks OSOTM is awesome. That she can do no wrong. Yeah, them.
Well, I think OSOTM is pretty good, tbh. But I surely don't think she can do no wrong.

Michele
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  #5  
Old 12-07-2014, 01:25 PM
jbrownsjr jbrownsjr is offline
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Originally Posted by michelej1 View Post
Well, I think OSOTM is pretty good, tbh. But I surely don't think she can do no wrong.

Michele
I've gotten blasted for liking it. But, I too like OSOTM.
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Old 12-07-2014, 01:43 PM
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I've gotten blasted for liking it. But, I too like OSOTM.
Dude, don't make me blast you.

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Old 12-07-2014, 01:47 PM
jbrownsjr jbrownsjr is offline
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Originally Posted by HomerMcvie View Post
Dude, don't make me blast you.

I like the guitar on Rooms On Fire, I like Book of Miracles/Juliet.. I like Bruce Hornsby.. there's a few others I like on there.. It's been so long..
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Old 12-07-2014, 02:37 PM
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I've gotten blasted for liking it. But, I too like OSOTM.
I think I may like OSOTM better than BD. But Wild Heart is my favorite.

Michele
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  #9  
Old 12-07-2014, 02:44 PM
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I think I may like OSOTM better than BD. But Wild Heart is my favorite.

Michele
My god, I'll never understand how anyone couldn't LOVE BD. The record sounds like she's fronting the Eagles.

Yeah, I guess it's a little too classic rock sounding for people who like dance music. But it's right up my alley!
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  #10  
Old 12-07-2014, 01:42 PM
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Originally Posted by michelej1 View Post
Well, I think OSOTM is pretty good, tbh. But I surely don't think she can do no wrong.

Michele
I think BD is awesome. A classic album that stands the test of time. I LOVE it.

WH - It's pretty damned good. Mostly good songs.

RAL - Meh, I made myself learn to "like" it.

OSOTM - WTF? I listened and listened for a couple of months, and just decided that it SUCKED. That she'd LOST her gift...

Notice how(IMO) each album was about half the quality of the previous effort? OSOTM was the last Stevie solo album I ever bought. And I've been given copies of her newer ones...meh!

Maybe Jimmy Iovine could pull a decent one out of her now?
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  #11  
Old 12-07-2014, 06:27 AM
Turn It On Turn It On is offline
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Applying to ANYONE who thinks OSOTM is awesome. That she can do no wrong. Yeah, them.
I agree that she has a lemming-like fansbase, but I actually think what's worse is the people who dislike OSOTM, Street Angel, and that whole period of her work simply because Stevie herself has now practically disowned it. That's just blindly following whatever she says.

Maybe I'm just being defensive because I really like OSOTM. I hate Bella Donna, though...
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Old 12-07-2014, 10:19 AM
On Ice On Ice is offline
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I agree that she has a lemming-like fansbase, but I actually think what's worse is the people who dislike OSOTM, Street Angel, and that whole period of her work simply because Stevie herself has now practically disowned it. That's just blindly following whatever she says.

Maybe I'm just being defensive because I really like OSOTM. I hate Bella Donna, though...
Good point about the OSOTM/Street Angel period. There were moments during that time where she was in amazing voice, (check out some of the live recordings from that period... wow), her back up on Rick Vito's Desiree, and songs like Rooms on Fire are among her career's best writing, unfortunately it's become overshadowed by some serious missteps, but to me, the era had a lot of potential if she had had Tom around at the time to give some "Hard Advice".
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Old 12-07-2014, 11:07 AM
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Originally Posted by Turn It On View Post
I agree that she has a lemming-like fansbase, but I actually think what's worse is the people who dislike OSOTM, Street Angel, and that whole period of her work simply because Stevie herself has now practically disowned it. That's just blindly following whatever she says.

Maybe I'm just being defensive because I really like OSOTM. I hate Bella Donna, though...
Druggie days aside, I dislike Street Angel simply because it makes me cringe when I hear it. Just bad music, IMO. That album is an embarrassment.
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Old 12-07-2014, 12:56 PM
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Druggie days aside, I dislike Street Angel simply because it makes me cringe when I hear it. Just bad music, IMO. That album is an embarrassment.
Stevie fandom evolved into pretty much to each his/her own. Heck, even back in the "classic" days she faced some pretty harsh criticism. Many critics did not "get" those early Rhiannon exorcisms, so now we as the established fan-base likewise will see things through our own lens.

Street Angel for example is seen as Stevie's dud whereas I see the album as good in some spots but suffering from lack of inspiration but by no means an embarrassment. She turned in some amazing vocals in that period and with the right producer, could've been really on fire. I'm puzzled as to what happened between Desiree and the '92 Mirror/Mirror and would've expected the same fiery performances throughout the album, but instead, very spotty, but not a complete disaster.

Again, to each their own opinion, none of us are completely right or completely wrong either.
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Old 12-07-2014, 05:16 PM
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Originally Posted by On Ice View Post
Stevie fandom evolved into pretty much to each his/her own. Heck, even back in the "classic" days she faced some pretty harsh criticism. Many critics did not "get" those early Rhiannon exorcisms, so now we as the established fan-base likewise will see things through our own lens.

Street Angel for example is seen as Stevie's dud whereas I see the album as good in some spots but suffering from lack of inspiration but by no means an embarrassment. She turned in some amazing vocals in that period and with the right producer, could've been really on fire. I'm puzzled as to what happened between Desiree and the '92 Mirror/Mirror and would've expected the same fiery performances throughout the album, but instead, very spotty, but not a complete disaster.

Again, to each their own opinion, none of us are completely right or completely wrong either.
I have never really understood why Street Angel was so universally panned by music critics and fans alike. I know that Stevie had to rely on other people to help her write enough songs. Still, Docklands is a gorgeous song, even though Stevie didn't write it! It was just made for her...a very sexy song.

Blue Denim...another great song.

The title track is not bad at all either. I particularly enjoyed listening to Stevie explain on radio how she wrote this song about how she will never know what it's like to live on the streets. She wanted to put herself in the shoes of a homeless girl, walk around in them for a while and see what it felt like. Just goes to show what an empathetic and caring a person she is that she can write a story like Street Angel.

Let's talk vocal quality. On Street Angel, it is, let's be frank, way better than the vocals on any solo album she has released since! When she recorded the vocals for Street Angel, Stevie was most definitely at that point just before her singing ability plateaued. Stevie's vocals on The Dance are roughly equal in quality to those on the Street Angel album.

Since 2001 she has only fleetingly delivered the powerhouse vocals that first made her famous. She seems too afraid of ever attempting to sing Dreams live in its original key, which is a shame.
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