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If he wanted to make Stevie's tune less monotonous, he could have added a natural and melodic vocal counterpart. He could have added so much if he had just resisted the urge to make it unnatural through studio manipulation... His choice is inexplicable to me. Another song, Say You Will, was ruined by Stevie adding cutesy kid vocals repeating that chorus ad nauseum at the end. Last edited by sodascouts; 04-04-2014 at 11:23 AM.. |
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Some of the worst offenders come from the bands solo albums, such as:
That horrible synthesized solo in the middle of Ask Anybody on Christine's '84 solo album. Embarassingly awful elevator music. ![]() Kenny G's sax solo in the middle of Alice on Stevie's Other Side Of The Mirror. No, just no. ![]() The obnoxious way What Makes You Think You're The One starts with those piercing, sharp drum bangs. ![]() The hugely cheesy intro to In The Back Of My Mind. It's like a Disney haunted house movie or something.
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How does this bring a good song down when the whole song comes after it?
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Lindsey's vocals on Down Endless Street. It makes the song campy, when actually it had great value as a "straight" song.
The effects he uses on it make it sound like a Halloween special, and you expect to hear ghosts shrieking "booo-booo-booo" through it. I still like the song a great deal. But I would have liked it even more if he'd just gone traditional with the vocals. Michele Last edited by michelej1; 04-04-2014 at 07:27 PM.. |
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