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  #1  
Old 01-29-2014, 11:14 PM
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kenzo kenzo is offline
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Quote:
Originally Posted by louielouie2000 View Post
Agreed... he totally slashed and burned a gorgeous song, and left the charred dismembered & mutilated bones as the finished product.
I thought he made it better.
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  #2  
Old 01-30-2014, 03:46 AM
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Originally Posted by kenzo View Post
I thought he made it better.
Me too. Although that earlier version has something the SYWversion lacks and vice versa. But it is bull to state that he ruïned the song, in my world.
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  #3  
Old 01-30-2014, 04:41 PM
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Originally Posted by shackin'up View Post
Me too. Although that earlier version has something the SYWversion lacks and vice versa. But it is bull to state that he ruïned the song, in my world.
Agreed. I like both versions; they each have different strengths and weaknesses, but both work well overall. There is no question in my mind that either incarnation is superior to the title track which they chose to release as the single. Heck, "Thrown Down" would have made a better album title, too. I think its implications of physicality would have intrigued people. Certainly the phrase is more intense and forceful than the pleading "Say You Will."

Too bad nobody asked me for suggestions.
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  #4  
Old 01-30-2014, 05:07 PM
michelej1 michelej1 is offline
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Originally Posted by sodascouts View Post
"Thrown Down" would have made a better album title, too. I think its implications of physicality would have intrigued people. Certainly the phrase is more intense and forceful than the pleading "Say You Will."
Yes. What a missed opportunity. And use supine images on the album cover like we have, but maybe not have them look quite so tranquil lying there. Hint at something tumultuous.

I guess back then they did not know how well they'd be accepted after Christine, so they were trying to let everyone know that they still had what Christine offers. Bad approach.

Michele
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  #5  
Old 01-30-2014, 05:23 PM
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Originally Posted by sodascouts View Post
Agreed. I like both versions; they each have different strengths and weaknesses, but both work well overall. There is no question in my mind that either incarnation is superior to the title track which they chose to release as the single. Heck, "Thrown Down" would have made a better album title, too. I think its implications of physicality would have intrigued people. Certainly the phrase is more intense and forceful than the pleading "Say You Will."

Too bad nobody asked me for suggestions.
I've never heard the non album version. someone mentioned it's on a TISL disc with 16 tracks but I've been unable to locate that. Was it released?
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  #6  
Old 01-30-2014, 05:53 PM
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Here is the TISL outtake of Thrown Down, also known as the 'wall of sound' version, used in some terrible soap-opera clip compilation. If you don't know, 'wall of sound' refers to a production technique originated by Phil Spector.

From wikipedia:
Quote:
Spector created a dense, layered, reverberant sound that came across well on AM radio and jukeboxes popular in the era. He created this sound by having a number of electric and acoustic guitarists perform the same parts in unison, adding musical arrangements for large groups of musicians up to the size of orchestras, then recording the sound using an echo chamber.
It has so much energy, it rocks, it pulses, it's exciting - whereas the SYW version sounds like Stevie got reprimanded before recording the vocal.

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Last edited by KarmaContestant; 01-30-2014 at 05:58 PM..
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  #7  
Old 01-30-2014, 06:31 PM
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Originally Posted by KarmaContestant View Post
Here is the TISL outtake of Thrown Down, also known as the 'wall of sound' version, used in some terrible soap-opera clip compilation. If you don't know, 'wall of sound' refers to a production technique originated by Phil Spector.

From wikipedia:

It has so much energy, it rocks, it pulses, it's exciting - whereas the SYW version sounds like Stevie got reprimanded before recording the vocal.

That album needed a track like that.
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Old 01-30-2014, 06:49 PM
StevieNicksfann StevieNicksfann is offline
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Do we have any true verification that the Wall of Sound version of Thrown Down is from the TISL sessions? It just sounds more Fleetwood Mac - Lindsey guitar playing. I always thought of it as an early arrangement and mix from the SYW sessions that obviously got re-worked later with Chris Lord-Alge got a hold of it
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  #9  
Old 01-31-2014, 11:26 AM
KenB KenB is offline
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Thanks for posting this! Very interesting to hear. I still MUCH prefer the SYW version, as this one sounds bland, the drums sort of bombastic, a little too middle-of-the-road sounding -- although I do like how prominent Lindsey's vocals are in it.
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  #10  
Old 01-31-2014, 12:10 PM
RockawayBlind RockawayBlind is offline
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I had to listen to this "Wall of Sound" version again because it had been a long time since I heard it. The SYW version is superior, in my humble opinion. Everything is a little more subtle, and the guitar that starts the song immediately identifies the track as a FM song. Yeah, I think they made the right choice here. The only thing I would have changed is the space-age synthesizer riff panned right on the chorus. I would have changed it to a less spacey keyboard sound or to a guitar -- or, or, or... a cello. Now that would have been cool!
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  #11  
Old 01-30-2014, 05:59 PM
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Quote:
Originally Posted by aprilsrain View Post
I've never heard the non album version. someone mentioned it's on a TISL disc with 16 tracks but I've been unable to locate that. Was it released?
It was not released. A pre-release pressing of TISL was leaked before the album tracklisting was finalized. The alternate Thrown Down is from that.
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  #12  
Old 01-31-2014, 10:00 AM
RockawayBlind RockawayBlind is offline
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Originally Posted by shackin'up View Post
Me too. Although that earlier version has something the SYWversion lacks and vice versa. But it is bull to state that he ruïned the song, in my world.
I agree with that completely. Also, I would argue that no version of Thrown Down was going to be a big hit in 2003. People who keep seeing phantom hits in FM songs from the last decade are still stuck in the band's heyday, much like a couple of the band members seem to be. Accept it: There will be no more FM hits.
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  #13  
Old 01-31-2014, 07:34 PM
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Originally Posted by shackin'up View Post
Me too. Although that earlier version has something the SYWversion lacks and vice versa. But it is bull to state that he ruïned the song, in my world.
You're one of the reasons I don't post here much anymore... because you always say what I'm thinking anyway, making me redundant
The SYW version has a better arrangement but the WoS version has a better Lindsey vocal performance IMO. Combine them and it'd be perfect.

I'm excited about the prospect of a new album. I want Lindsey to have at least one song that's just a rocker with Mick and John somewhere. It can either be a Murrow/ISA-type brooding guitar track or it can be a madcap uptempo thing like Gift of Screws. Maybe one of each
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  #14  
Old 01-31-2014, 07:54 PM
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Originally Posted by Peestie View Post
...or it can be a madcap uptempo thing like Gift of Screws.
I'd love THAT!!! Actually, kind of hoping that "Gift Of Screws" would've made the final SYW track list.

Which is kind of what I did for my iPod SYW tracklist...swap out other Lindsey tunes in place of the ones I didn't care for. (ditto with a leftover TISL tune from Stevie) Made the album a little more commercial sounding without losing Lindsey's quirkiness.

Disc 1:
Say You Will
Bleed To Love Her
Destiny Rules
She Smiled Sweetly
Smile At You
Try For The Sun
Thrown Down
Steal Your Heart Away
Not Make Believe

Disc 2:
Gift Of Screws
Touched By An Angel
What's The World Coming To
Illume
Murrow Turning Over In His Grave
Everybody Finds Out
The Right Place To Fade
Goodbye Baby
Down On Rodeo
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  #15  
Old 01-31-2014, 08:09 PM
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BlueDenimLamp BlueDenimLamp is offline
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Quote:
Originally Posted by Peestie View Post
You're one of the reasons I don't post here much anymore... because you always say what I'm thinking anyway, making me redundant
The SYW version has a better arrangement but the WoS version has a better Lindsey vocal performance IMO. Combine them and it'd be perfect.

I'm excited about the prospect of a new album. I want Lindsey to have at least one song that's just a rocker with Mick and John somewhere. It can either be a Murrow/ISA-type brooding guitar track or it can be a madcap uptempo thing like Gift of Screws. Maybe one of each
I'd like the same from Stevie with a rocker like Fall From Grace, Ghosts Are Gone or Wide Sargasso Sea with LB playing a Fender or Gibson...Lets throw in a fast song as well like "In Your Dreams"...
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