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#1
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.Michele |
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#2
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I don't think it's an allusion to an affair either.
Personally, I'd prefer to think of their chemistry as sensual, and not sexual. ![]()
__________________
"What a f**king stupid shirt you're wearing." - Christine McVie |
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#3
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I think they have been cool perhaps since SYW, but I don't think that would have persisted if they'd been in close proximity to each other over these intervening years. And I just want her to stay on the stage. For BTM Lindsey did go off stage and Mick called him back for the last bow, but that was only respectful to Rick and Billy. This time, Mick can call Christine back onto the stage after Say Goodbye to take a bow with them, but I am dreaming of something a little different than that. I'll be here indulging my fantasies for the next 3 weeks. Michele |
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#4
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#5
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Quote:
Michele |
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#6
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Isn't that everyone's relationship status?
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__________________
"What a f**king stupid shirt you're wearing." - Christine McVie |
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#7
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I've always felt they were like sister and brother personally and wrote the best music of FM. They spent a lot of time on Tusk, Mirage, and TITN together. Their vocals together are amazing, the co-writes are creative, and the overall sound they produce is wonderful.
The world could use more Buckingham/McVie and less Buckingham/Nicks.
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Last edited by jbrownsjr; 09-04-2013 at 02:54 PM.. |
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#8
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Exactly. They are so ridiculously compatible with each other musically, and it shows in their work. Wish they would record something in the present time because both of them now have this rich, aged tone in their voices which can be a really great blend today. Tango in the Night is especially a very fruitful album for this pair.
Yes, more Buckingham/McVie please. ![]()
__________________
"What a f**king stupid shirt you're wearing." - Christine McVie |
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#9
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I would be interested to see how the Buckingham/McVie collaborative process differs from B/N. I doubt there would be any "You wouldn't say that to Bob Dylan" exchanges, but I'd imagine potential points of conflict being between what's "good" and "good enough" in each track's development.
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#10
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Yes, I think along those lines. Lindsey said something like their formative years taking them down the same path (parallel lines) even before they ever met and I feel that. Of course, I go a little off the deep end when I think of things like that and when he says that his mother signed him up for piano lessons and he wasn't interested I think to myself, "well, that's because you didn't have to be. There was already a piano out there for you, somewhere."
John once said, of all of them, that they were like sisters and brothers, a family, even if they don't see each other often, and it sounds like one of those polite things that a band member might say, but I actually took him at his word and believe that as a valid description. And I don't even mean that in the lovey dovey way, but more in the inexorable, "I'm stuck with you, like it or not" kind of way. That person is always going to be part of my identity, even if they're kooky and maddening and my feelings for them are unconditional -- even if I'd like to hate them. Michele |
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#11
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As for Stevie/Lindsey v. Lindsey/Christine, I'm very much a prodigal son type of person. I want most, what's lost. I've lost Christine and I want her back to feel whole. So, I kill the fatted calf for her and of Stevie and Lindsey I just think, "Oh them. They've already eaten."
![]() But I love Stevie and Lindsey together very, very much. I just really prefer the 5 of them over Stevie, Lindsey, John and Mick any day of the week. Michele |
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