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from http://www.washingtonpost.com/entert...46_story.html#
.......... Many danced as Fleetwood Mac performed such hits as “Dreams,” ‘’Rhiannon,” ‘’Gypsy,” ‘’Tusk” and “Landslide,” which drew huge roars from the crowd when Stevie Nicks introduced it. Nicks also delivered her tribute to the host city, singing a portion of her song, “New Orleans,” which she said she wrote after Hurricane Katrina in 2005. “I wanna get a room in New Orleans, I wanna sing in the streets of the French Quarter,” she sang. The band also performed a new song, “Sad Angel,” testing it out with the crowd. Toward the end of their set, they played an old favorite, “Go Your Own Way” at the end of which Buckingham shouted to the crowd, “New Orleans, we love you!” They left the stage briefly before returning for an encore performance of “The World Keep On Turning,” a song from their self-titled first album released in 1968 and “Don’t Stop.” .............
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#2
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So, if you know which album the song came from, why is it you don't know the title of the song? It would take 20 seconds to look it up on Amazon.
Nah, I'll just guess. I hear them saying "World Turning," but that doesn't seem like a long enough title, so I'll just throw in a couple of words. I didn't hear them sing those words, but I think Fleetwood Mac has a song called World Keep on Turning, so this must be it. Michele |
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#3
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Debbie You got a sweet heart Never will you be replaced |
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#4
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Michele |
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#5
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Debbie You got a sweet heart Never will you be replaced |
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#6
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So, it seems like both Silver Springs and Say Goodbye were dropped. I wonder if anything else was cut.
Michele |
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hopefully it's just because they didn't even have a full 24 hours for their voices to recover from last night's show.
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#9
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and snippet of New Orleans chorus was added (as a dedication?), at the end of which bug flew into Stevie's mouth, which ended up in some funny maneuvering on the stage, if i understood correctly. Jamie, they just had to shorten the set because they had a preset timeframe that was shorter than their regular set (and they were actually given extra 30 mins from the original time slot). re preserving their voices, Lindsey has been regularly doing 4 or 5 dates in a row at his last year's solo tour with 1 day off in between...
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#10
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thought that maybe since Brett was there who must have done it with her on solo tour and Neale who composed it, maybe the 3 of them at least would have done a snippet. ![]()
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#12
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New Orleans Jazz and Heritage Festival Sees Performances From Fleetwood Mac, Little Big Town
Huffington Post By CHEVEL JOHNSON 05/04/13 http://www.huffingtonpost.com/2013/0...n_3215794.html NEW ORLEANS — Little Big Town says that some networking they did is paying off with a chance to cross a couple of items off their "bucket list." After playing Bayou Country SuperFest in Baton Rouge last year, group member Karen Fairchild said they talked to festival producer Quint Davis about other things they hoped to accomplish. They mentioned that they'd one day like to perform at the New Orleans Jazz and Heritage Festival. Davis was in a position to help since he also produces Jazz Fest. Known for its trademark four-part harmonies, Little Big Town performed in New Orleans on Saturday. "Can you believe we're opening for Fleetwood Mac?" said Kimberly Schlapman, another group member. "We've been wanting to play Jazz Fest forever and now we're opening for Fleetwood Mac and can mark off two big things from our list." Schlapman said early in their career they had the chance to meet Lindsey Buckingham of Fleetwood Mac, which she described as an "amazing harmony band." "Being able to share a stage with them is one of our greatest wishes," she said. Fairchild said they've watched Jazz Fest from afar for years. "The who's who of music shows up year after year at the festival. Who wouldn't want to play there?" Flags flying amid a cool breeze, music fans packed the festival grounds by the stage where Little Big Town and Fleetwood Mac performed. Some put down tarps over the muddy infield. Others sat in chairs, wore rubber boots or stood barefoot to hear the bands. "Once you're in it, it kind of feels good," said Mary Kathryn Gatlin, of Greenville, S.C., who danced shoeless in the mud, the muck covering her feet past the ankles. Gatlin was taking in her first Jazz Fest with her sister, Frances Gatlin. The pair had been at the stage since noon, about an hour after the gates opened. "We love country, bluegrass, just easy-listening music that's fun to dance to," Gatlin said. Many danced as Fleetwood Mac performed such hits as "Dreams," "Rhiannon," "Gypsy," "Tusk" and "Landslide," which drew huge roars from the crowd when Stevie Nicks introduced it. Nicks also delivered her tribute to the host city, singing a portion of her song, "New Orleans," which she said she wrote after Hurricane Katrina in 2005. "I wanna get a room in New Orleans, I wanna sing in the streets of the French Quarter," she sang. The band also performed a new song, "Sad Angel," testing it out with the crowd. Toward the end of their set, they played an old favorite, "Go Your Own Way" at the end of which Buckingham shouted to the crowd, "New Orleans, we love you!" They left the stage briefly before returning for an encore performance of "The World Keep On Turning," a song from their self-titled first album released in 1968 and "Don't Stop." Other Saturday headliners included Phoenix, Frank Ocean, Los Lobos, Terence Blanchard, Davell Crawford and the Preservation Hall Jazz Band. Sunshine and blue skies were welcomed by fans of the outdoor festival, which had been drenched by rain in previous days. Despite the mud, the field in front of the festival's largest stage was packed hours before Fleetwood Mac's performance. Little Big Town's Fairchild said she hoped their festival appearance would help boost their fan base. "This is a great chance for longtime fans to come out and see our set and a chance for us to discover and be introduced to new fans," she said. Phillip Sweet and Jimi Westbrook make up the rest of Little Big Town, which recently won two Academy of Country Music awards for their latest album "Tornado." They go on tour with Keith Urban in July. "I like them," said Monique Powell, of Lafayette. "They've got three big hits out right now, `Tornado,' `Pontoon,' and `Little White Church.' We came in to hear Maroon 5 yesterday. This is just a bonus." Powell and her friend, Matt Chaisson, also of Lafayette, said Saturday's sunny weather made the trip worthwhile. "Even though it's nasty out here with all the mud, we're making the best of it," she said, adding that she should have packed her rain boots. "I should know better," she said, laughing. "I'm from here!" The festival ends Sunday, with closing performances by Trombone Shorty & Orleans Avenue, Aaron Neville, Maze featuring Frankie Beverly, and Irvin Mayfield and the New Orleans Jazz Orchestra with special guest Dee Dee Bridgewater. |
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#13
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The Times Picayune, May 4, 2013 By Keith Spera, NOLA.com |
http://www.nola.com/jazzfest/index.s...the_new_o.html For Fleetwood Mac at the New Orleans Jazz Fest, yesterday isn't gone Midway through Fleetwood Mac's two-hour-and-20-minute headlining set at the New Orleans Jazz Fest's Acura Stage on Saturday, Stevie Nicks spun a tale about "Without You." Originally a poem, she and then-paramour Lindsey Buckingham recorded it in the early 1970s for their unreleased second duo album. "Without You" faded into the hazy mists of memory until they "rediscovered" the song three years ago on YouTube. "We loved it, we lost it, we found it," Nicks explained. She was speaking of the song, but she might well have been describing the arc of Fleetwood Mac's career, one of rock's great success stories and soap operas. Like the Eagles, Fleetwood Mac accounted for one of the best-selling albums of all time, as well as one of the most enduring catalogs in American popular music. Also like the Eagles - and with the additional baggage of multiple intra-band romances - they fractured badly, only to come together again as an older and presumably wiser unit. Much of the Fair Grounds was still a muddy bog on Saturday, but the weather was picture perfect - clear skies, mild temperatures. Tens of thousands of people filled the Acura Stage field and spilled over the dirt track all the way to the fences. What they witnessed in the second half of Fleetwood Mac's set was a band that still very much wants to be a band. Nicks, Buckingham, drummer Mick Fleetwood and bassist John McVie -- Christine McVie, John's ex-wife and the lead singer on several Mac hits, has not toured with them in years -- could have phoned in a greatest-hits recital and called it a day. But to their credit, they were not afraid to take chances, and their time. Last week, Jazz Fest moved up Fleetwood Mac's start time to 4:40 p.m., giving the band 30 minutes more than originally scheduled. They easily filled them. The show's early going included classics -- "The Chain," "Dreams," "Rhiannon," "Tusk" -- as well as "Sad Angel," from a new Mac EP. "Every time we go apart and come back together, it's different," Buckingham said. "You'd think a band that's been together as long as us would have nothing new to discover, but there do seem to be a few chapters left in the history of Fleetwood Mac." History still weighs heavily on them. But now they seem to share the warm camaraderie of veterans who survived a war together. Midway through the show, Nicks and Buckingham were left alone for an intimate duet on "Landslide." Buckingham finger-picked an acoustic guitar as Nicks sang, "I'm getting older." At the song's conclusion, he gallantly kissed her hand. When Nicks and Buckingham first joined Fleetwood Mac, some fans of the band's first incarnation as a blues-based rock group were horrified, but they provided the necessary ingredients for mass popularity. A couple at the time, they came as a package; Nicks joked that Mick Fleetwood was really only interested in Buckingham's guitar skills. "The voices, all that stuff was completely secondary," she said. "They just wanted you, let's face it." Buckingham grinned: "It worked out OK." At the Fair Grounds, Nicks battled a "New Orleans bug" that was stuck in her throat. "I need some coffee or I'm never going to get through this next song," she said. "If it totally sucks, Lindsey will be singing lead." The next song was "Gypsy," which would have been an unfortunate choice for Buckingham. Happily, Nicks managed just fine. "Thank you everybody for being so patient," she said. "We're learning to live with that bug." She accented her black-on-black ensemble -- high-heeled, platform suede boots and, for one song, a top hat -- with sparkling strands and scarves on her microphone stand and a succession of shawls. During "Gold Dust Woman" -- which Fleetwood prefaced with a bass drum and cowbell beat -- she and the band embarked on an extended breakdown. "Baby, baby, baby, you should see me now," she sang. She traced the silhouette of a woman -- a gold dust woman? -- in the air, then turned to face Fleetwood's drum kit, holding her shawl aloft like angel wings. Buckingham's voice was a bit craggy at points, but his guitar work was consistently aggressive and vital. During a romp late in the set, he ripped off distorted, dirty riffs, high-stepping and stomping across the stage. He pounded the guitar's neck with his fists, and slapped it, producing squalls of sound. Afterward, he tapped a hand to his heart, then blew the crowd a kiss. The band's auxiliary keyboardist -- there also was a secondary guitarist, and two female backing vocalists -- carried Nicks' solo hit "Stand Back." They went back to the Mac with "Go Your Own Way." It got off to a shaky start; Nicks eyed Buckingham from across the stage, as if trying to get in sync with him. It was all good once the crowd took over the chorus. Buckingham, the bite still in his guitar, ended the song atop Fleetwood's drum riser, whacking a cymbal with his bare hand. The encore opened with a sturdy "World Keeps On Turning," its churning riff angular and lean. It was a bit late in the day for a drum solo, but Fleetwood took one anyway. "You know it's comin!" he shouted. Although Christine McVie no longer tours with the band, her signature composition "Don't Stop" does. Buckingham sang the first verse, Nicks the second. "Don't Stop" is about moving beyond grief, about looking toward a brighter day. "Yesterday's gone," they repeated. Not if you're Fleetwood Mac, it isn't. Yesterday, rediscovered, still sounds pretty great. |
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#14
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