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  #1  
Old 04-05-2013, 11:37 AM
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Originally Posted by Fireflies View Post
it's gonna get dropped.
I hope not. .........
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  #2  
Old 04-05-2013, 11:46 AM
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No cowbell? Did I miss it?
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  #3  
Old 04-05-2013, 12:32 PM
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Meh.

I suppose it's OK. I can't say that I love it, or loath it. It's just OK. The musical arrangement could have been much tighter; maybe it was better in person.
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  #4  
Old 04-05-2013, 12:39 PM
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I give Stevie big kudos for dusting off "Sisters" after all these years, but I'm on the fence about this performance. I guess, for me, this 2013 version really lays bare how limited Stevie's vocal range has become. I realize that she's not 30 years old anymore, and I did not expect a repeat of the 1982 performance, but to me her voice on this sounds really scratchy and, as she has become accustomed to doing as of late, she's just yelling the high parts. There is very little nuance to her voice. I don't at all get a sense of the darkness or mystery that some of you are picking up on.

Again, I'm extremely glad and grateful that at 65 Stevie is still out there doing what she's doing; it just saddens me that years of abuse and constant touring have ripped away certain qualities from her voice that I used to love.

And I'll say it again: I really think her vocal coach has done more harm than good.

I'll be curious to see how long she keeps this in the set. It's a hard song to sing, and she has a lot of nights left.
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  #5  
Old 04-05-2013, 12:55 PM
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Originally Posted by editme2 View Post

I'll be curious to see how long she keeps this in the set. It's a hard song to sing, and she has a lot of nights left.
I don't think the way she's doing it, is hard for her to sing..She really isn't even attempting any high notes, so there's not much reason to drop it.
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Old 04-05-2013, 01:11 PM
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@edit "And I'll say it again: I really think her vocal coach has done more harm than good."

Explain?
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  #7  
Old 04-05-2013, 01:15 PM
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Entire song from front row, shot by Michelle/Tucky (omg, I can't even remember her Ledge name...)

http://youtu.be/j3ZYIGeRl7A

Much better than I was expecting, but her extremely low note on "mooooooon" was disappointing. I didn't love the ending either - she tried to give us what we want, but it just wasn't successful, IMO.

I'm a realist. I was well aware it wouldn't come anywhere close to Tusk & Mirage tour versions. AND I really do like the "the people, they loooooove her..." verse. I do hope they keep it in the set, since it is a more obscure tune & it really is a rocker. Time will tell.

Last edited by skcin; 04-05-2013 at 01:19 PM..
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  #8  
Old 04-05-2013, 01:22 PM
danax6 danax6 is offline
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I think it sounds messy. Her vocals are all over, doesn't blend with the music, especially at the end. I didn't expect a kickass Mirage tour version, but they could have at least added *some* power to it.

Meh.
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  #9  
Old 04-05-2013, 01:47 PM
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Originally Posted by skcin View Post
Entire song from front row, shot by Michelle/Tucky (omg, I can't even remember her Ledge name...)
http://youtu.be/j3ZYIGeRl7A
Michelle2677
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  #10  
Old 04-05-2013, 04:14 PM
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@edit "And I'll say it again: I really think her vocal coach has done more harm than good."

Explain?
What I mean when I say that I think her vocal coach has done more harm than good is that he has trained her to sing in a very controlled, uninspired way. As a result, her vocals often lack color. She takes no chances and doesn’t explore different aspects to her voice. I believe he has convinced her that in order to not “have a bad night,” she needs to keep her vocals within a certain, monotonous range. With “Landslide,” for example, she used to sprinkle it with really soft, delicate notes that would give powerful meaning to certain lyrics and phrases in the song. Now it’s pretty much the same tone throughout. Plus, she seems to think that in order for her voice to have power, she needs to yell (listen to “Stand Back” live these days). It’s almost as if she’s following a strict vocal script and doesn’t want to stray from it, lest she be scolded by her vocal coach. I know she has some of that nuance in her still, because every once in a while it comes out (she sounds lovely on “Say Goodbye,” for example). I’m in no way suggesting that Stevie shred her voice or go crazy like she did in the ’80s, but I do wish she would explore the different sides of her voice that remain strong.

And, of course, this is just my silly opinion. I'm not a vocal coach; I just go by what I hear......
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  #11  
Old 04-05-2013, 04:58 PM
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Originally Posted by editme2 View Post
What I mean when I say that I think her vocal coach has done more harm than good is that he has trained her to sing in a very controlled, uninspired way. As a result, her vocals often lack color. She takes no chances and doesn’t explore different aspects to her voice. I believe he has convinced her that in order to not “have a bad night,” she needs to keep her vocals within a certain, monotonous range. With “Landslide,” for example, she used to sprinkle it with really soft, delicate notes that would give powerful meaning to certain lyrics and phrases in the song. Now it’s pretty much the same tone throughout. Plus, she seems to think that in order for her voice to have power, she needs to yell (listen to “Stand Back” live these days). It’s almost as if she’s following a strict vocal script and doesn’t want to stray from it, lest she be scolded by her vocal coach. I know she has some of that nuance in her still, because every once in a while it comes out (she sounds lovely on “Say Goodbye,” for example). I’m in no way suggesting that Stevie shred her voice or go crazy like she did in the ’80s, but I do wish she would explore the different sides of her voice that remain strong.

And, of course, this is just my silly opinion. I'm not a vocal coach; I just go by what I hear......
Very valid points and I agree with you overall. Secret Love live is a good example..On the album her voice has a sweet sound to it, but live she sounded robotic...
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  #12  
Old 04-05-2013, 05:46 PM
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Quote:
Originally Posted by editme2 View Post
What I mean when I say that I think her vocal coach has done more harm than good is that he has trained her to sing in a very controlled, uninspired way. As a result, her vocals often lack color. She takes no chances and doesn’t explore different aspects to her voice. I believe he has convinced her that in order to not “have a bad night,” she needs to keep her vocals within a certain, monotonous range. With “Landslide,” for example, she used to sprinkle it with really soft, delicate notes that would give powerful meaning to certain lyrics and phrases in the song. Now it’s pretty much the same tone throughout. Plus, she seems to think that in order for her voice to have power, she needs to yell (listen to “Stand Back” live these days). It’s almost as if she’s following a strict vocal script and doesn’t want to stray from it, lest she be scolded by her vocal coach. I know she has some of that nuance in her still, because every once in a while it comes out (she sounds lovely on “Say Goodbye,” for example). I’m in no way suggesting that Stevie shred her voice or go crazy like she did in the ’80s, but I do wish she would explore the different sides of her voice that remain strong.
And, of course, this is just my silly opinion. I'm not a vocal coach; I just go by what I hear......
I totally get what you're saying and think so too. Have for quite some time.
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  #13  
Old 04-05-2013, 03:09 PM
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Quote:
Originally Posted by editme2 View Post
I give Stevie big kudos for dusting off "Sisters" after all these years, but I'm on the fence about this performance. I guess, for me, this 2013 version really lays bare how limited Stevie's vocal range has become. I realize that she's not 30 years old anymore, and I did not expect a repeat of the 1982 performance, but to me her voice on this sounds really scratchy and, as she has become accustomed to doing as of late, she's just yelling the high parts. There is very little nuance to her voice. I don't at all get a sense of the darkness or mystery that some of you are picking up on.
Yes, exactly - if the song were softened up a bit, more of Stevie's vocal nuances would show through. I'd really like to hear her try to sing some of these older songs more softly, like she does For What It's Worth or Landslide.
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  #14  
Old 04-05-2013, 03:32 PM
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I love the ending's passion from Stevie. I just know that has the potential to become incredible. The vocal is as someone said all over the place. i dont know what she's trying to do.
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  #15  
Old 04-05-2013, 03:34 PM
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From the Youtube video, I didn't think it sounded all that great.
But you can never judge from a fan Youtube video.

I did love when Lindsey would sing the last part in the old days.
I think unless they can work some energy into it, maybe it should go.
Along with Stand Back.
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