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For perspective, here are some 1-Star (i.e. not flattering) reviews from Amazon.com: (I'll post others in a different message)
Paul Duffy, Phoenixvill, PA This is Motown music for white people: same rockers, same ballads, same lyrics, same beat, guaranteed to convince Clinton era self-satisfied baby boomers that if they're wealthy all is right with the world. Hard to believe this band was once a well respected British Blues band in the early 70's. Of course back then, Eric Clapton hadn't turned into Perry Como, either. Anyway, that was long ago. Since the alignment with Buckingham and Nicks, this out fit went straight for the middle of the road. Along the way, Buckingham recycled ideas that were kinda cute first time through, entirely predictable 20 some years later. McVie lays down bass parts by memory, Fleetwood injects ideas that suggest there was something at the bottom of all this, and Nicks seems to have embraced the parodies of herself. Anyway, if images of Bill Clinton honking mediocre sax (and likely it was dubbed, given his penchant for inauthenticity) while FM paraded anthemic power chords over inane lyrics, make you weak with nostalgia, then this is for you. For anyone who welcomed punk's rebellion against the corporate formulaic bloated junk of the 70's, this will make you nostalgic for the vitriol of Johnny Rotten and Sid Viscious. I've seriously insulted the friend who sat me down to listen to this by sticking a safety pin someplace private, but it's the only way I can deal with this garbage. Has a nice beat, though...... Christopher Dabrowski from North Augusta, SC United States For even the most ardent fans of Fleetwood Mac, Say You Will may prove to be an epitaph on a tombstone for this once great band. Though the abscense of Christine McVie serves as a dissapointment to most, that is not the problem with this release. The CD should have been entitled the Buckingham Nicks finale. While the rythmn section of Fleetwood and McVie are quite superlative in form on Say You Will, they seem like the backup of the other members. The album is full of techno pop synthesized guitar and vocals by Buckingham and Nicks. It is completely divorced of reality as if it were the remnants of some mad dream. Buckingham has never really proved himself to be of the caliber of former guitarists Peter Green or Bob Weston from the spectacular Behind The Mask release. Save for four or five songs, the album meanders on in the new millenium. Fleetwood Mac should have called it a day after the great live The Dance CD. It was their peak of a very long career. A Music Fan, Chicago, IL Upon my first few listens, I feel safe deeming "Say You Will" a massive disappointment. The absence of Christine McVie is a major impediment since it is too Stevie and Lindsey-centric. The tracks are hardly memorable and some are downright lousy. Perhaps if they didn't focus some much on quantity (18 total tracks), the quality would be significantly better. The only standout is the title track, and even that song seems destined for obscurity and will likely wind up relegated to a doctor's office soundtrack.
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"With--without. And who'll deny, it's what the fighting's all about . . . Pink Floyd |
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