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#18
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I think this is a GREAT idea, getting help from the Ledge.
Here's some questions that occur to me at first blush... Mick indicates in his book that there's multiple reasons that Silver Springs was left off of Rumours. However, only one has been discussed in detail. It might be interesting to explore what those other reasons were; at least as far as what might be acceptable to the band members to publish. The story about having to put all of Rumours together "without a sync track" is VERY interesting; and some further details about how that was accomplished, who did it, how long it took etc. would be great to hear. And just how close was the album to NOT happening, because of this? How did you and Richard Dashutt come to be associated with the album? (The details, I mean.) Were there others who were considered? How do you feel you personally influenced the album? Did this influence continue to show in later albums? How and where did you learn to Engineer records? Do you have suggestions for those who want to get into this aspect of the business? What was the best part of working on the album? The worst? What was the funniest thing that happened? Is there a specific day that really stands out in your mind? When did you first know that this was gonna be REALLY big? Who first suggested that the album be called "Rumours?" Were other possible titles discussed? How did making this record differ from the way it might have been today? Looking forward to the book! ![]()
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So if the ghosts are gone then doesn't that mean I'm kinda screwed??
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