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Then again we may not have seen Bob Welch if that were the case, or Christine McVie in all her wonder, or - egads - Buckingham & Nicks. So in another sense, maybe it worked out for the best. They certainly left us some choice pearls before their days were done. I also have to say we are very lucky Kiln House was produced. On that transitional production Jeremy Spencer really shines bright, a fitting and lasting tribute to his influence in the FM legacy. Danny worked nicely with him on both vocal and instrumental interplay (just like DK did with Welch later on), and we further catch our first glimpse of sweet Christie's vocals. You really can't appreciate all that Fleetwood Mac is without visiting their early and middle periods. The superstardom phase we all know about (and it was good, very good). The parallel universe concept -- I like that. ![]() |
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