The Ledge

Go Back   The Ledge > Main Forums > Lindsey Buckingham
User Name
Password
Register FAQ Members List Calendar


Make the Ads Go Away! Click here.
 
 
Thread Tools Display Modes
Prev Previous Post   Next Post Next
  #8  
Old 02-15-2007, 08:00 AM
seteca's Avatar
seteca seteca is offline
Addicted Ledgie
 
Join Date: Nov 2001
Location: London, UK
Posts: 1,484
Default

Quote:
Originally Posted by Peestie View Post
I really like the tone he got in RTTG from speeding the tap up. I also really like the tone (noise? lol) of the Murrow solo. It just sounds so busy. The speeding up solos thing there is cool. The tone on Come isn't as good as his non-sped up tone though.
Yea the solo on Come has definitely been sped up. If you're really interested (which I'm sure you're not!) you can find a thread from a couple of years ago in which I explained why I'm sure it is.

It's really obvious when solos are significantly sped up because speeding up a musical instrument is similar to speeding up the video of a moving car - the car does appear to be moving faster, sure, but then all the other things associated with that speed (such as the way the car moves, the rate at which it slows down, speeds up, stops, turns) all look completely ridiculous. The more you speed the video up, the more stupidly obvious it becomes that the car was not originally moving that fast. Same thing goes with musical instruments. Yes, the notes are faster, but all the things which are associated with playing a guitar at that speed are missing/sound weird&wrong (and some impossibilities are there as well, just like the 500mph car which suddenly stops at the lights.) The totally artificial ringing/decay of notes is at the top of a large list of tell-tail signs.

Come, Murrow, Running Through The Garden, Instrumental Introduction to This Is The Time...to name a few. Very obviously sped up.

Now the question is...does he do it in order to create the song he has in his vision, in which case doing what he has done is a demonstration of his great production abilities - or - does he do it in order to make listeners think he can play electric guitar faster than he actually can?

I don't just put that question to LB, I put it to any guitarist who speeds up solos on a song. In LB's case, I'm pretty sure it's the former and because he would never want a session guitarist to play a solo for him, but maybe there's also a teeny tiny bit of the latter there aswell.....

Last edited by seteca; 02-15-2007 at 08:02 AM..
Reply With Quote
 


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is On

Forum Jump


1970s Pop, Bob Brunning picture

1970s Pop, Bob Brunning

$3.40



1970s Pop, Bob Brunning picture

1970s Pop, Bob Brunning

$5.40



Fleetwood Mac: The First 30 Years, Bob Brunning picture

Fleetwood Mac: The First 30 Years, Bob Brunning

$5.88



Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae picture

Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae

$59.99



1980s Pop (Sound Trackers) By Bob Brunning picture

1980s Pop (Sound Trackers) By Bob Brunning

$12.26




All times are GMT -5. The time now is 08:57 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2026, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved