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I got the record yesterday and have listened to it about 4 times. It is still sinking in, but I have to say that it is probably not as good as Whole New You or A Few Small Repairs (tough to be as that one is a masterpiece).
There are some great songs, most notable the title track, "Tuff Kid," "The Bird," and "So Good To See You". Since Leventhal is producing, there are the typical subtle textures, seamless atmosphere, and the occasional odd instrument. What's missing is the edge she had in the last two records. Her greatest strength lies in creating an irony between her lyrics and the actual sound of the songs. These songs are a bit low on the anger, resentment, and danger present in her best efforts. The contrast between the foreboding and the pretty has always served her very well. The whole thing could do with 2 or 3 more uptempo numbers. Overall, it's a pretty low key, mid tempo to slow affair. It's all stunningly well crafted and written. Evidently, she is not in as dark a place right now, and I say good for her. The songs, however, could have benefitted from a little more drama. Real or imagined. For anyone who plays music, or has a great interest in her, I found a fascinating two hour radio show on the making of the record and her career in general. Here's the link : http://www.prx.org/pieces/13636 You have to register, but it's easy and well worth it.
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======================================== All animals are equal. But some animals are more equal than others.
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