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#9
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The band (or its label) went back and forth about what to release. The earlier intention—advertised in Patrick Goldstein's Pop Eye column in the L.A. Times—was to record the then-upcoming Hollywood Bowl concerts for a live album. But minds must have changed. The last Bowl show was Sept. 1 and the album was released Dec. 8, so the group must have recorded the show still believing it was going to be for the album. I think the final live album was a rush job—the time frame of no more than two months lends credence to that. I have the impression of Mick, Lindsey, and Christine (Stevie was in South America learning to stand on her own) sitting in a studio while some other cats play them various cuts of their own concerts from 1975 to 1980, and just randomly picking what sounded good (or odd) to them. There's such a mishmash of different years on the album, I'd bet things weren't even labeled well. And then, of course, there's cocaine. I think if anyone involved was doing any thinking about this whatsoever, it was Lindsey, and he probably wanted to make a second Tusk statement—idiosyncrasy, explosive energy, incoherence, etc. LIVE is a postmodern live album avant la lettre.
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