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#7
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They are poems. Christgau didn't like her songs or her attitude—he thought it was phony—but just about every other critic from 1979 to 1983 rated her alongside Joni Mitchell.
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I saw her again on the Magazine tour, which had Christine McVie alumnus George Hawkins on bass. I think she squandered her talents and her career. It's one thing to walk your own path and do your own thing, but she took deliberate steps to alienate her dwindling audience the past few decades. It's been a bizarre thing to witness. I think she's kind of screwed up, but in her heyday she was a brilliant storyteller. She created a gallery of characters in her interconnected songs that seem cinematic.
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