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  #16  
Old 11-17-2010, 11:55 AM
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RickRobert RickRobert is offline
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Originally Posted by HejiraNYC View Post
Actually there is virtually zero vibrato on Buckingham Nicks that I can recall. The prime example of this is on "Crying in the Night" when she sings the line "...she can come curling 'round you like fing-uuhhhhhhhhhhhhhhhhs." Hardly any vibrato at all in that sustained note.
It's pretty prominent on Frozen Love I'd say. "There's no beginning overr-r-r-r-r"!
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  #17  
Old 11-17-2010, 01:18 PM
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HejiraNYC HejiraNYC is offline
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It's pretty prominent on Frozen Love I'd say. "There's no beginning overr-r-r-r-r"!
I know what I'll be listening to on my drive home tonight!
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  #18  
Old 11-18-2010, 01:24 AM
mitzo mitzo is offline
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One other distinctive aspect of Stevie's vocal styles is her often drawled and wavering ending notes on lines, in which she sometimes seems about to slip off-key but does not. A friend of mine once said that it makes Stevie sound like she is sulking.
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  #19  
Old 11-19-2010, 10:02 PM
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I love Stevie's voice back on Buckingham Nicks, alll the way til' this summers not a tour tour. (lol i feel so retarded saying that) It wasn't like a sudden change, like Rhiannon 76' to Rhiannon 06' instantly... It slowly changed (on all songs), so we got used to it over a long period of time. She can still hold her notes pretty amazingly, and she can still do that screamy thingy at the end of edge of seventeen *chills*
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