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| View Poll Results: Like or Dislike: Alice | |||
| ALICE!!!!!!!!!!!!!!!! |
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33 | 38.37% |
| This song calls my name! |
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16 | 18.60% |
| It makes a statement - kind of. |
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25 | 29.07% |
| Please friends - tell her to stop it. |
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3 | 3.49% |
| Send it back to the other side of the mirror so I don't have to hear it again. |
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9 | 10.47% |
| Voters: 86. You may not vote on this poll | |||
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#1
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People seem to have pretty strong feelings for or against this song. I've heard many put it down, saying it's one of her worst, and a couple (well, OK, mainly just Jimmy
) who absolutely love it. I'm kind of in the middle. It moves around on the "favorites" list that's in my head. Right now, I'm liking it quite a bit. That could change in a week or two. It still has that magical quality, but it doesn't "take me there" as much as Rooms on Fire does for some reason. I think I would like it a lot better if it weren't so slow, sometimes it seems like the music is draaaaaaaaaagging. Does anyone know if this song is about Stevie's coke addiction & rehab in 86/87? As I'm reading through the lyrics, it seems that it may be, at least partially - like she was comparing what she had just gone through to Alice In Wonderland. Has she ever confirmed this? Just wondering. Cowritten with Rupert. Huh. I do like her vocals here. She holds some notes for a long time, which I love. "Oooh, call my naaaaaaaaaaammmme!" "I hear she went hiiiiiiiiigher!" Love it. I'm a huge fan of the following lyric: "Oh, no you cannot tell a gypsy, ooooh that she's no longer a member...." The stiletto line that drives everyone nuts - eh. It doesn't bother me anymore, it fits pretty well. But this is one of the few Stevie tunes where I don't really like the chorus a whole lot, it's kind of blah to me. This tune was pretty good live, nothing groundbreaking or anything. Sounded very similar to the album version. I think she would do a good job vocally today, but the song is a bit dull to me & I don't really need to hear her do it live again. ![]() |
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#2
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It's about Stevie running back and forth between her solo career and Fleetwood Mac, and being so busy she can't remember who she is anymore, other than Stevie the rock star. A lot of people think the song is about drugs, and it may well be, but she herself has said it's about her dual careers.
I quite like the song, although it's not one of her very best. I think it's probably fitting it ended up a B-side to Rooms On Fire. |
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#3
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I adore 'Alice' so much - one of my very favourites
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#4
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It's not my favorite on OSOTM, but I've heard worse.
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#5
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#6
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I echo David's comments in the "Rooms" thread: when I got the cassingle, I listened to "Alice" many more times. And the sonic upgrade I got when I finally got the CD made me love it even more.
I especially like when she says "I'm going back ... to the other side of the mirror," meaning forsaking Wonderland for reality. I also like the "Each had their own charms..." verse which seems to be everyone's fave. |
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#7
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I think this song really epitomizes everything I find boring and distasteful about the TOSOTM album.
For starters, it's one of the absolute worst of Stevie's non-melodies. The chorus is actually rather catchy and nice, but lord, the verses are death. It's like sitting through a bad Wagner opera (this song is almost as long, too...). Once again this seems to be a result of somebody giving Stevie a piece of music of music and her just slapping her words over it. Which means I've got to at least partially blame Rupert Hine for this; why didn't he write a melody for this song? Up next, the lyrics are just beyond clunky and awful. I mean, this is just plain bad songwriting. Where to even start? I guess at the beginning: "Well, I heard she flew down to the Mountain City / He said, 'That's not what I heard / I hear she went higher.'" Ugh. I wish I could say things got better after this. There's so much potential, too: the metaphor of going back through the mirror is a good one, but Stevie does absolutely nothing with it. And then of course there's the production. Once again, I can hear some decent music just begging to break out of this song, but I feel like I've got a terrible head cold. I imagine some people feel that the tinkling keys and such give this song a "magical" feel, but it's all done so blandly, any magic there ever was is just sucked right out of it. This song sounds utterly two-dimensional. There's hardly any sense of sonic space whatsoever. I can't hear different instruments cropping up around me, playing different roles, adding different sounds in different spaces. I just see the song laid out before me on a flat canvas, splashed over with whitewash to dull the colors, and then covered with a layer of gauze. And just when you think it can't get anymore BLAH, here comes f***ing Kenny G again with another saxerectomy. Cannonball Adderley must be spinning in his grave at the thought of this instrument being abused like this. So I suppose I'm not an "Alice" fan. |
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#8
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#9
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as I said in the other thread, this song, along with Juliet and Ooh My Love are my favorites. I love the atmosphere it creates...love the lyrics the most.
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#10
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I just realized another reason I don't love this tune - the sax. I don't like most Stevie tunes with horns.
Wait until we get to Whole Lotta Trouble. ![]() |
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#11
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#12
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I picked the middle choice, and that was being a tad generous.
Talk about soft rock... Blergh. I do, however, like it when she sings "Call out my name". It's okay.
__________________
"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
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#13
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#14
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This one of my favorite Stevie songs! It is in my top ten Stevie songs.
__________________
Christopher We were frail... Save us... |
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#15
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Wow - I never realized there were that many TOSOTM shows out there! ![]() |
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