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#46
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She used her falsetto voice for those cool parts in Sorcerer. I'm pretty sure the same was done for this relatively new vocal. Even with the most sophisticated technology, I think it would be hard to recreate a voice as unique as Stevie's
It's not really that hard to sing in a falsetto. Most male lead singers today seem to rely on it to get to those higher parts... Thom Yorke of Radiohead and Chris Martin of Coldplay come to mind.
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Daniel
Last edited by SpyNote; 06-20-2005 at 09:46 AM.. |
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#47
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~Jeremy
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#48
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I totally love this...thank you soo much for sharing. This will be HUGE in the clubs... rbs GO SPURS GO!
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"Just like the sea, I rock a little..." ~ SLN |
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#49
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#50
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A very big thank you to Bandon, James, Gary and Daniel... you guys all rock!
Thanks for making this available to the rest of us. I'm in Stevie-Freak heaven right now.... *sighs happily* Hope she shows off a little bit of this range on her next album, too. ![]()
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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| takenbythesky |
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This message has been deleted by takenbythesky.
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#51
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Another example is "Planets of the Universe," which is sung pretty flat throughout until the last chorus when that higher range comes out unexpectedly. "You and I will simply disappear" is what really stands out.She really only needs to do it a few times in a song to take the quality of the vocal to the next level. I also think in general that Stevie does her best work when some hard-ass, like Iovine, is pushing her to get her best vocal down, or when she feels like she has something to prove, which seems to happen usually only when she's collaborating with someone on some outside project.
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Daniel
Last edited by SpyNote; 06-20-2005 at 10:24 AM.. |
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#52
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Well, depends on your voice. It happens to be the most fragile part of the voice. It is the first thing to go when you sing incorrectly or abuse your vocal chords. I don't know if those two guys are smoking, coking, and drinking they way Stevie did. Her falsetto was throttled by the end of 1980. Which, actually, isn't too bad, considering three tours and vast amounts of abuse. Amazing that it has reappeared. |
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#53
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GO STEVIE!
![]() No, I don't think there's much studio trickery involved there. The tone of the vocals in the high parts sounds very natural, not overly processed. There may have been a little autotuning, but that's really our Stevie up there in that vocal range... WOW! I never would have thought she had it in her. I'm so happy to be proven wrong. ![]() What has gotten into this woman lately? She's on a rampage! |
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#54
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Tha's my theory, anyway. |
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#55
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Can someone please explain to me why, if she can still sing this fabulously, she doesn't on the records and only teases us with a little bit here and there on the likes of Sorcerer and some power vocals on Everybody Finds Out? It boggles my ****ing mind that if she can kick out an amazing vocal like this, why doesn't she do it more often? No one is expecting her to do it live, we all know she'd embarrass herself, but at least do it on your records, dear!
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#56
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#57
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Maybe she figures that we'll all bitch if she does the tunes live & doesn't go for the high notes like she did in the studio. ![]() |
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#58
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i was just gonna say that paula |
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#59
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She had no qualms doing it on that track and if she put a bit more effort into tailoring the songs to suit her "stage voice" during the rehearsals (i.e. not dropping the keys to the point where the songs are utterly unrecognizable), I'd be less prone to bitchin'.
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#60
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Now Now - Dissention would NEVER do that ![]() |
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