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#46
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That droning, monotone voice that seems to be serching high and low for a melody that isn't there, and the repetitive chorus. Plus, the kids at the end are annoying and creepy. Makes the song end up sounding like the rejected theme song for the Smurfs.
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#47
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#48
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#49
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While the lyrics are atrocious and the music/production sound straight out of the Street Angel sessions, her vocal is pretty good and she sings it like she means it. I particularly like the last minute of it.
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#50
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It's the reward i reap for running to press that skip button.... ![]()
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"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
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#51
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#52
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#53
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#54
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#55
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#56
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#57
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Although, SYW will is tooooooooooooo long. How about 4 songs each?
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#58
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First thing... 'Tusk,' 'Mirage' and 'Tango' all, at various moments throughout, sound like three solo albums put together. 'Tusk' most of all. 'Fleetwood Mac' and 'Rumours' are the only two of their albums together that really sound like the songs are coming from ONE band. That's not a complaint, of course, as I've always loved the diversity within their sound. Secondly, Lindsey's 'Gift Of Screws' material WAS recorded with Mick and John, with some contributions from Christine. Now, while it was INTENDED for a solo album, the members of Fleetwood Mac WERE present. And, in many ways, that makes his 'Say You Will' songs even more "Fleetwood Mac" than many of his 'Tusk' and 'Tango' tracks. Lastly... Stevie's songs, while written outside of the band, were recorded from the ground up with Fleetwood Mac. Lindsey produced them, and he, John and Mick played on every track. And while they worked on the instrumentation for many of the songs while Stevie was on the road, once she joined them in the studio, they all worked together closely for many, many months. Including four completely new songs that they worked on only once Stevie joined them. All of which, in many ways, makes her tracks more "Fleetwood Mac" than her 'Mirage' and 'Tango' contributions. Sure, Lindsey (and maybe even Stevie) probably hoped that a new Fleetwood Mac album would assure more exposure than a solo release could, but I still don't agree with the notion that it was all a "marketing ploy" slapped together in haste. And I have to wonder if people would feel that way if Christine had been there too (let's not forget, after all, that her songs were slapped onto 'Time' at the "last minute"). I, for one, LOVE 'Say You Will.' I've even grown to love the couple tracks that I wasn't head over heels for initially. And I have no complaints about the length of the album. I'd rather have EIGHTEEN new tracks to digest after all these years, than only 12 or 13. It's a shame that Christine didn't take part in the recording of the album as a full-member. And, yes, it had a haphazard origin. But that it doesn't make it any less worthy of an album, IMO. ![]()
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#59
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"John, however, wasn't in the mood for idle chatter during the call, and ended the evening by inexplicably hurling a glass of vodka and tonic in Lindsey's face." - Bob Brunning
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