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Speaking of demos...there's a killer EP waiting to happen if she re-recorded all of those beautiful piano demos i.e. Forest Of The Black Roses, China Doll, 3 Birds of Rhiannon, Lady (without all of the dramatic production used on the 24k Gold version)
No guest vocals Do it in the right key, no straining/shouting Minimalist arrangements & instrumentation Hire a completely new set of musicians, no Waddy guitar hacking Make it so moody you have to listen to it with the lights dimmed Whatever...I know that's a pipe dream for such a "prolific" artist. Eye roll.
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#17
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#18
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David commented here awhile ago that Stevie and John did perform the song together once at a sound check on one of her 1981 solo concerts. Too bad it was never recorded. Disc 3 of Enchanted is wonderful. It has all those movie soundtracks or old 45 records we all bought and collected in the 1980s. To have them on a CD was incredible. I am glad she was proud of her contributions singing with other artists.
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#19
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Oh that's basically what I meant. The arrangements need to compliment her current voice/range.
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#20
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I hope she surprises us this year but I doubt it. |
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#21
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If anything does eventually come out as an album, I'd imagine it will be a hodge podge of producers and production styles - which has been her achilles' heel going back to Trouble In Shangri-La in 2000/2001. She's pretty much unwilling to let any one single producer help her get anything over the finish line. Dave Stewart may be the only exception in context of the 2010s. If she really wanted to release something, I think she would have by now. She was expecting The Lighthouse to be a media sensation, which is wasn't. I'm sure she has many folks in her ear telling her the juice isn't worth the squeeze regarding making an album - and she's proven to be quite happy taking that advice. She openly admits that she didn't do anything but greatest hits tours from 2005-2010 because somebody told her thats what she should be doing instead of making new music. Heck, her team couldn't even be bothered to find some sort of solution for the issues she had with the Melbourne Symphony Orchestra project - she just ditched the project all together - and went back out on tour. TLDR: any string of dates that her management can put together will take priority over any kind of work on new music. If she's offered a double bill with The Doobie Brothers, she'll take it.
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Last edited by BigAl84; 08-29-2025 at 07:49 AM.. |
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#22
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I’m reading as of May 2014, IYD had sold 199,000 copies just in the U.S. Couldn’t find Songs from the Vault sale numbers but it wasn’t certified Gold. I don't think global numbers would significantly change sales volume. Both albums peak position was #6, not bad. And their critical reception was mostly positive.
By those positive reviews, she might be motivated to release new material. But she also has expressed her point of view on the importance of sales during the discussion about whether Say You Will could be a double album. And it makes sense. From a business perspective, she might think... how much do I make on tours versus how much would a new album make? Besides, based on past results, I think the record label would give her a modest support.
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#23
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So what if her last two albums charted at #6 and #7? Go out and play the songs on tour where you'll make your money. Even though it's only three songs and one of them is an old one (same case for Secret Love as an aside) - it's a miracle that EP even happened. The fact that she went into the studio with Lindsey and she actually to my knowledge didn't have any complaints about recording those three songs with him - she actually said they had a great time at his house, told stories to Karen, and did a photoshoot - is incredible. |
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#24
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She probably dislikes the FM EP as well, despite praising it initially. Several years after Say You Will, she soured on that and said she didn't like the way any of her songs came out. She's mentioned spending several years trying to ink some sort of mini-series deal for the infamous "Rhiannon" project - which looks as if thats petered out. Again, I don't know how you can be working on something like that if you're constantly on the road.
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When Stevie goes into 'marketing mode' you have to take anything that comes out of her mouth with a significant grain of salt. she's called every song for the last decade or more "the best song I've ever written" or "the best stuff I've written in a long time" etc etc etc. She knows she has to sell it and to her credit, she does. Howeverrrrrrr..... starting around the 80s and early 90s (pre Dance) after an album had come out and had its run and sold whatever it was going to sell, she'd start talking about the very same album she had called her 'best ever' and "proudest" work etc as "well, it wasn't exactly what I had wanted" and she'd tell stories of difficulty with whoever produced it or this or that or whatever. Was even THAT her being honest, or was that her once again putting the spin on something that didn't do as well as she had hoped? You know the old "well it wasn't how I wanted it which would have been so much better" i.e. 'it's not MY fault'
someone already noted that she'll take a tour over recording any day and this has been her mantra for the last 15+ years. She follows the money because she's about status and money and not the art no matter what she might say. if she were really about the 'art' she'd put stuff out regardless.
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Does she not realize how dumb it makes her look, to be talking about making the same project for nearly HALF A CENTURY?
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#28
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If Gold hadn't been included on Enchanted, I don't know if I would have ended up being a John Stewart fan. Maybe I would have but my fandom would have been delayed. If nothing else, I'm thankful it was included in the compilation because John's music has become a big part of my life.
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#29
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I'm sure she walks into high level meetings thinking she can tell Netflix or HBO Max how to make her movie and that's not going to fly. Those folks are going to want to ensure the right people are involved to make the thing profitable and her diva behavior has probably resulted in her being shown the door multiple times. This isn't the same a$$ kissing contest that she and Fleetwood Mac have had with Warner/Rhino for the past 25 years. Neither of those companies need to sign a deal with her or develop anything for her - especially if *gasp* the material just isn't that great and she refuses to work with anyone willing to put lipstick on the pig.
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Last edited by BigAl84; 09-02-2025 at 08:29 AM.. |
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#30
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![]() I just watched the full Billy Joel documentary over the long weekend.... I can see Lindsey being 1000% capable of doing that kind of analysis of the songs, the production, etc involved in each of his/the band's albums.... but Stevie?? her musical ineptitude would be sooooo glaring..... I mean, Billy was talking in very technical music terms and playing classical piano pieces.... she'd be doing her ding-ding, ding-ding, "two finger" thing as she herself put it. ![]()
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