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#91
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#92
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Looking at this story about Mirage I cannot help but feel a rising sense of despair. This band has produced nothing new in 16 full years and we are clutching at a reissue of something from 34 years ago. I guess I really do not give a damn. Anymore.
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#93
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In the Meantime 2004 (McVie solo) In Your Dreams 2011 (Nicks solo) Extended play 2013 24k Gold 2014 (Nicks solo) I may have left something out. If you add in the long tours, this band has been quite busy producing new material despite being a classic rock band who lost a pivotal member for 16 years. It was daring to do albums without Lindsey and then Christine. But they pulled through with new material I value quality over quantity. I hope the Mac takes their time recording the new album. I LOVE Mirage and most very early 80s music. To have out takes, demos, unleashed tracks, or re-mastered tracks is just as exciting as new material. The short Mirage era is probably my favorite era in Mac history. That is when I became a fan.
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#94
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I hear ya. We should be celebrating the new music that isn't getting issued. I'm glad to hear there's a Mirage reissue, but that should be a side course, not the entree.
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#95
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Under the Skin 2006 (Buckingham solo) Gift of Screws 2008 (Buckingham solo) Seeds We Sow 2011 (Buckingham solo) Songs from the Small Machine 2011 (live, Buckingham solo) One Man Show 2012 (live, Buckingham solo)
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#96
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#97
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Also long tours is them also not producing new music. It's them wanting to do something (and make the monies) but not actually have to be creative together. I saw them in 2004 on the SYW tour and skipped the subsequent tours in 2009 and 2013 because, unless the tickets were cheap and they weren't, I didn't need to see them again playing mostly the same show with no new music. I skipped the OWTS tour (they came here twice) because, one, the tickets were way too high, two, I assume they would be touring again except promoting a new album. OWTS was basically The Dance part 2 except nearly 20 years older and no new songs. I don't need the nostalgia/greatest hits tours unless the tickets are cheap and they never are. I'll support them if they're giving me something new. Last edited by MikeVielhaber; 04-10-2016 at 08:23 PM.. |
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#98
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#99
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she's also indirectly stifling solo work of other songwriters in the band. Lindsey has given us 3 great full length solo albums and 2 live albums in the last 10 years, but he put solo albums on back burner after 2012, when it started to look like FM album actually had some chance of going forward creatively. putting the band first (while not every songwriter in the band did!) is stifling Lindsey's solo productivity. ![]()
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#100
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Classic rock bands from the same era that have toured over the past 20 years have put out much less new material than Fleetwood Mac. The Eagles, Journey, Rolling Stones, etc. I could go on forever. Records do not sell anymore and the Mac lost key members but they have still done recordings. I included some of the solo work because it is icing on the cake. During half a decade in the mid 80s all we were able to get was solo work. I love the solo projects in the early/mid 80s. They kept the band together allowing the members to explore musically away from the band. I LOVE Say You Will. Its one of the band's best albums. But I equally love In the Meantime. Christine has the knack of creating perfect songs and I will take them however I can get them..... solo or with the Mac. In a nutshell....the Mac and its members are not a typical classic rock touring band. They still create songs. That is not the typical super group of the 70's for sure.
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Last edited by Macfan4life; 04-11-2016 at 07:03 AM.. |
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#101
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sad to say.
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"To acknowledge death is to accept freedom and responsibility." |
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#102
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#103
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While Mirage is topical...
...I wonder whether anyone can offer me a theory as to why Gypsy wasn't a smash hit single. Don't get me wrong- it did okay to claw its way to US #12 but it wasn't the big hit it should have been. Stevie was a big star on the back of Bella Donna and they made one of the all-time great videos to accompany the song. The video had heavy play on MTV. The previous single Hold Me had just been a big hit spending about two months in the top 10 so they were in the public eye/consciousness at the time of it's release. And yet it debuted at US #69 on 4th Sept and then went #57, #46, #35, #27, #21, #15, #12, #12, #12. Clearly a slow burner. Gypsy only reached #46 in the UK (admittedly only Oh Diane did well in the UK) and didn't break the top 10 in any major music buying country. It's a shame and a bit odd it's chart placings didn't reflect it's true glory. |
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#104
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The only comparison I can make is to Edge of Seventeen. That song is Stevie's most popular, most iconic and famous and yet it wasn't her most successful in terms of chart positions or sales. If you told people that Edge of Seventeen reached #1 they probably wouldn't bat an eyelid but it only reached #11. So did Rhiannon! It's all very weird... |
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#105
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...but noooooooooooo waaaaaayyyyyyyy. I don't think it needed any pizzazz- its just great as it is. In fact I love the demo that's even more basic. I can hear the wood block very clearly- its a nice little touch and adds something a bit different but I don't see any advantage in it being any more prominent than it is. I like the line '...I must have been crazy, crazy to wait on you baby'. I wonder if that's a link to her waitressing job and doing everything for Lindsey in the BN days (at which time this was written)? Last edited by FuzzyPlum; 04-11-2016 at 04:05 PM.. |
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