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#31
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I dunno... when I hear "Malibu" I think about a tortured soul- Kurt Cobain, specifically. I just think it was too personal for Stevie to take on. It's kind of a heavy song if you think about it; it's about failing to save someone from his personal demons ("..and the sun goes down, I watch you slip away...). TISL just wasn't that kind of album.
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#32
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I think Stevie would have done just fine with These Dreams. I don't really care for that song on its own and it has nothing to do with Heart, but I'm sure Stevie would have done a good job and made it her own. I'm sure it would have been a hit for her too.
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#33
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Just wanted to throw out there that I'm seeing Tom Petty tomorrow. With Regina Spektor - an odd combination if there ever was one. I'm actaully going for Regina - Tom is just an added bonus.
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I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case |
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#34
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Regarding "Malibu", Courtney recently was quoted via twitter last year admitting Billy & her wrote the song intending it for Stevie, but then Courtney kept it for herself upon realizing what a gem it was (sorry Stevie). Nobody knows what became of the other Billy/Courtney penned song (When It All Falls Apart) presented to Stevie.
I love "Malibu", and while I think Stevie could have done a great job with it, it became such a quintessential Hole song. Which was also the case of many of these songs that ended up with other artists which Stevie initially passed on, esp during RAL. I love RAL, I think it's a fantastic record with great songs. Any 1st single Stevie would have released in autumn of 85' would have become a big hit. Radio and fans were anxious for the constantly rescheduled & delayed release of Stevie's 3rd solo record. Imo RAL was Stevie at her most blatantly commercial. "If I Were You", "Some Become Strangers" & even "Sister Honey" could have effortlessly been popular radio fodder in the mid 80's if they were pushed & promoted as singles. RAL was a success, going platinum easily & having a Top 5 song right off the bat while AOR was simultaneously spinning "No Spoken Word" in regular rotation. The real problem with RAL not becoming more successful was because Stevie herself was not healthy & assessable to do adequate promotion & press on the same level as she did with BD & TWH. She filmed 2 videos back to back, did a Jim Ladd radio interview...and then vanished to Australia with Tom Petty & Bob Dylan, shunning the press & media for most of the tour & album. |
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#35
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^^I think RAL was a great record despite Stevie. As I listen to all of the songs that supposedly comprised the original Mirror Mirror album, I am sooo glad that she/they went in a different direction and sought some external input. Mirror Mirror would have been a massive and utter flop without a single hit single. Obviously, I am not a fan of the demos from this era.
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#36
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I read somewhere that also Madonna's "Crazy For You" was first given to Stevie but she turned it down. When it comes to "These Dreams" I don't think it fits Stevie's style (beside the lyrical content). I can't imagine this particular song being included on "Rock A Little" album. On the other hand the song did wonders for Heart and in a way cemented their comeback effort. I think Stevie turned down this song because it was too obvious for her to record song about "Dreams"-if she had wanted to write song about dreams she could have written it all by herself-not exactly depending on somebody else's visions.
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#37
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As far as all the songs recorded or demoed during the RAL era, they run quite the gamut. Stevie probably recorded more songs for this record than any before or after. I'm quite fascinated by this era, and the songs that were either discarded or not finished. There are some really good songs which could've/should've been keepers imo. She Loves Him Still, Running Through The Garden & Chanel Chanel immediately spring to mind. But you're right Stevie needed a strong hit and Jimmy was scouting everywhere possible to turn up something inviting & commercial. Obviously, Stevie & Jimmy were not on the same wavelength. Jimmy thought "Reconsider Me" would have been a big song in Stevie's career. I sometimes wonder if Stevie's relationship & trust in Jimmy had aligned once again, what possible outcomes would have ensued. Would Reconsider Me have been a timeless hit for Stevie? Where upon Talk To Me was a big hit when released, but has not had the timeless classic factor, As it is rarely if ever still played classic rock radio. Last edited by Christopher; 04-17-2012 at 04:51 PM.. |
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#38
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![]() Classic artists would still get much promotion if modern radio weren't the way it is today, mostly playing anyone new. ![]() |
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#39
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#40
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I agree 100 percent.Also most stations are corporate owned by big corp.its not like the old days when radio played everything.Can blame the FCC deregulation with the laxed ownership rules.
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 |
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#41
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#42
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I have heard this interview as well, on the radio back when TOSOTM was released, and I bet someone on this forum has the audio or video files to upload. ![]() Quote:
__________________
I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case Last edited by KarmaContestant; 04-18-2012 at 11:17 AM.. |
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#43
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Because as I mentioned in my earlier post, When Stevie was interviewed she said she had decided in1983 that her next album was going to be titled Rock A Little. I remember the article vividly, because It didn't sound like a typical Stevie album title, it was peculiar. Maybe she changed her mind & went back and forth between Mirror, Mirror & RAL.![]() |
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#44
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I think it's likely that Stevie did go back and forth with that title - Rock A Little (the song) was written in 1981, at least, so I'm sure it was on her mind - and was probably going to be on the album that was going to be called Mirror Mirror. But, as she says in this quote, when Mirror Mirror didn't work out as hoped, it was ditched and Rock A Little became, to her at least, the lead song and album title.
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I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case Last edited by KarmaContestant; 04-18-2012 at 04:23 PM.. |
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#45
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