Nit picks I have about Fleetwood Mac (the album)

[Wdm6789]

Because I have a severe case of OCD and I tend to be overly critical.

1. Warm Ways should not have been after Monday Morning. I don't think it flows very well.

2. I really like the line "once in a million years a lady like her rises" from when Stevie sings Rhiannon live, so it would be cool if that line was in the album version.

3. I don't care for the "circus wheel" phrase in Over My Head. Christine could have just said "your mooood.......is changing all the time"

4. I'm not really a fan of Sugar Daddy, I would have rather had something better from Christine. I get that it's kind of an homage to her blues days, but I still would rather have something else. Sugar Daddy sounds like a filler song to me.

5. I think Lindsey's high pitch voice thing in I'm So Afraid is weird. I would like the album version a little better if it sounded more like the live version.

[michelej1]

I love "circus wheel." I love that it sounds like Christine would talk.

I also love "woo me until the sun comes up" in SYLM.

Michele

[aleuzzi]

My only nitpicks with this album are that the shared vocal harmonies on Crystal are a little thin (can't hear Stevie very well) and that Lindsey's vocal on So Afraid is strained and weak.

Christine does everything right on the album. Love all her songs on it. And the studio version of Rhiannon is perfect.

Great thread subject. Although I love the album I have a few issues too:

1) totally agree it would be amazing if I'm So Afraid was more like the live version - I love how they sang it in 1975 with Stevie doing lots of backing, when she could hit all the high notes. Beautiful.

2) Stevie's backing vocals would have improved Warm Ways, Over My Head, and World Turning IMO. Again I prefer the live/demo versions.

3) Rhiannon is too short!

Basically I guess I think the album needed more Stevie! On the other hand I prefer the studio versions of Monday Morning and Blue Letter, because of the vocal arrangements, they sounded more similar to the Buckingham Nicks tour than how they played live in Fleetwood Mac.

[Wdm6789]

Originally Posted by aleuzzi

My only nitpicks with this album are that the shared vocal harmonies on Crystal are a little thin (can't hear Stevie very well) and that Lindsey's vocal on So Afraid is strained and weak.

Christine does everything right on the album. Love all her songs on it. And the studio version of Rhiannon is perfect.

The vocal harmonies on Crystal are all three of them right? I can hear a little bit of all of their voices in that song.

I love Over My Head, Say You Love Me, and Warm Ways, just not Sugar Daddy.

Originally Posted by dawn_amanda

Great thread subject. Although I love the album I have a few issues too:

1) totally agree it would be amazing if I'm So Afraid was more like the live version - I love how they sang it in 1975 with Stevie doing lots of backing, when she could hit all the high notes. Beautiful.

2) Stevie's backing vocals would have improved Warm Ways, Over My Head, and World Turning IMO. Again I prefer the live/demo versions.

3) Rhiannon is too short!

Basically I guess I think the album needed more Stevie! On the other hand I prefer the studio versions of Monday Morning and Blue Letter, because of the vocal arrangements, they sounded more similar to the Buckingham Nicks tour than how they played live in Fleetwood Mac.

I like Warm Ways with just Christine singing. You can hear Lindsey and Stevie doing some ooooooohs in the background during the chorus, they don't need to be on harmony for that song.

Stevie and Lindsey sing backup on Over My Head don't they?

I agree that Stevie could be in World Turning as well.

I would have cut Sugar Daddy and added another Stevie song. She only got two songs on this album and Rumours (which I will be doing another thread like this for).

[vivfox]

Originally Posted by Wdm6789

I would have cut Sugar Daddy and added another Stevie song. She only got two songs on this album and Rumours (which I will be doing another thread like this for).

I Love every nuance of the white album.

Stevie had 3 songs on Rumours but I can understand your error considering she has always ignored I Don't Want To Know.

[ViscountViktor]

Originally Posted by dawn_amanda

Great thread subject. Although I love the album I have a few issues too:

1) totally agree it would be amazing if I'm So Afraid was more like the live version - I love how they sang it in 1975 with Stevie doing lots of backing, when she could hit all the high notes. Beautiful.

2) Stevie's backing vocals would have improved Warm Ways, Over My Head, and World Turning IMO. Again I prefer the live/demo versions.

3) Rhiannon is too short!

Basically I guess I think the album needed more Stevie! On the other hand I prefer the studio versions of Monday Morning and Blue Letter, because of the vocal arrangements, they sounded more similar to the Buckingham Nicks tour than how they played live in Fleetwood Mac.

Stevie is on Warm Ways, but I agree, she needed to do the live harmonys on Over My Head.

[jbrownsjr]

I would love more Stevie on Warm Ways...

[HomerMcvie]

Originally Posted by aleuzzi

Lindsey's vocal on So Afraid is strained and weak.

Christine does everything right on the album. Love all her songs on it. And the studio version of Rhiannon is perfect.

I'm sure that's why they dropped the key (live) a whole step.


As a huge Chris fan, I've never been crazy about Warm Ways, but Sugar Daddy makes EVERY greatest hits CD I've EVER made.

[David]

Originally Posted by HomerMcvie

As a huge Chris fan, I've never been crazy about Warm Ways, but Sugar Daddy makes EVERY greatest hits CD I've EVER made.

It's one of the coolest, jiviest songs Fleetwood Mac Marque 10 ever recorded. (And try singing it sometime: it's very difficult to place the words where they should be. That's one of Christine's strengths: she creates unnatural speech emphases but makes them sound erotic and hip, as if she were inventing a slangy new way of talk.)

My listener's problem with the white album is the bloodless way the drums are recorded. Denison told me this was the fashionable practice at the time, but it's completely the wrong way to record Mick Fleetwood. If you don't feel his kick in your belly, either the mics are messed up or he's dead.

I should note that, the same year of 1975, Max Weinberg had more punch on vinyl on "Tenth Avenue Freeze-Out," "Backstreets," etc. But even he is partially eclipsed by the strange practice of eliminating the kick drum bottom end. The multiple drummers (including Elton John's Nigel Olsson) on Rod Stewart's Atlantic Crossing actually have more presence in the sound field, but they do some sloppy technical work on those tracks.

My guess is that all those albums at the time were engineered for AM transistor radios and flip-box phonographs.

[Artemis]

Count me as another one who thinks the studio version of Rhiannon is perfect.

However, I LOVE Lindsey's I'm So Afraid vocal! My only nitpick on that song is I wish Stevie's backing vocals were louder - they sound incredible but you REALLY have to strain to hear them!

[sorcerer999]

Originally Posted by Wdm6789

3. I don't care for the "circus wheel" phrase in Over My Head. Christine could have just said "your mooood.......is changing all the time".

I love it!!! It's actually my favorite part of the song. Even better was the live version they did of it in 1975 and 1976. Stevie sang a very high harmony during that line that was just amazing!

Originally Posted by sadmabelnormand

I love Sugar Daddy, but I honestly wish Sorcerer was included instead of Sugar Daddy.

Agreed!!! My God, can you imagine how "Sorcerer" might have turned out on the White album? Especially back in 75' when everyone's vocal range was still intact. I remember reading an article or hearing an interview (can't remember the source) where Stevie stated that they had started working on it but decided to focus more on "Rhiannon" instead. I wonder if there's some sort of Master Work tape floating around out there with "Sorcerer" and some of the other Buckingham Nicks songs that they brought to the table.

In regards to "Sugar Daddy", it's not my favorite but I don't mind it. The words are a tad silly, but it keeps the vibe of the album chugging along, and sort of bridges the gap between the old days ("Spare Me A Little") and the new incarnation ("Say You Love Me") because it sounds like a little bit of both.

Originally Posted by David

My listener's problem with the white album is the bloodless way the drums are recorded. Denison told me this was the fashionable practice at the time, but it's completely the wrong way to record Mick Fleetwood. If you don't feel his kick in your belly, either the mics are messed up or he's dead.

Agree wholeheartedly! I was hoping it would have been "improved" on the 2004 re-master, but no. I'm assuming, like you said, that it was a mic issue and not a mixing issue, which is a shame.

Originally Posted by sorcerer999

Agreed!!! My God, can you imagine how "Sorcerer" might have turned out on the White album? Especially back in 75' when everyone's vocal range was still intact. I remember reading an article or hearing an interview (can't remember the source) where Stevie stated that they had started working on it but decided to focus more on "Rhiannon" instead. I wonder if there's some sort of Master Work tape floating around out there with "Sorcerer" and some of the other Buckingham Nicks songs that they brought to the table.

If there is such a tape it is my dream to find it. Sorcerer and Candlebright! They were both considered for the White Album. I think it's tragic there aren't completed recordings with Lindsey and Stevie's beautiful harmonies back when her voice was so perfect...
I have read on a Buckingham Nicks site that there is an extremely rare Fleetwood Mac recording of Sorcerer that is almost Bluegrass sounding. So if that is true there really is a recording somewhere!

[Macfanforever]

I cant think of any nit picks at this moment but please give me some time and I will add to this thread

I can add this. I was alittle POed over the EP thing with no hard copy release.

[chiliD]

Lindsey's on record saying that he recorded "I'm So Afraid" in the wrong key for his voice. He said it was in the key that he wrote the guitar parts, but didn't even think about how he was going to sing it. Didn't realize it was too high until during the recording process. (why they didn't just re-record it, I don't know, unless they were being cost conscious) That's why they dropped the key a whole step for the concerts after that.