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Fleetwood Mac have released their first collection of new music in a decade. As promised, the legendary band tabled a full album release in favor of an EP, titled "Extended Play" and available exclusively on iTunes.
The record kicks off with the bouncy "Sad Angel," in which co-lead singers Lindsey Buckingham and Stevie Nicks harmonize over looping guitar and Mick Fleetwood's driving beat. "Hello, hello sad angel, have you come to fight the war?" they ask. The rest of the EP includes the classic-sounding "Without You," which started as a track for Buckingham Nicks, the duo's pre-Mac group. There's also a piano ballad by Buckingham called "It Takes Time" and the album closer "Miss Fantasy." It's their first new music since 2003's "Say You Will," which debuted and peaked at No. 3 on the Billboard 200. The band told Billboard in February that, "Big, long albums don't seem to be what everybody wants these days." Whether a full-length album emerges from this current reunion is entirely up to fans, Nicks said. "[Let's] see if the world does want more music from us," Nicks said. "If we get that feeling, that they do want another 10 songs, we can reassess." Fleetwood Mac is on tour until June. http://www.billboard.com/articles/ne...-extended-play |
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Apparently that's the right way to do it, since it's doing well on the charts!
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![]() ![]() ![]() Number one, baby!! |
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So Stevie & Lindsey produced Without You, and Mitchell Froom produced the other three tracks. Interesting.
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It's #59 currently...
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http://musingsonthemediums.blogspot....nded-play.html
Musings on the Mediums A periodical blog where I discuss my musings and opinions on various forms of media, including movies, books, and, the main focus of this blog, video games. Unfortunately, I do not know enough to talk about things like television or music, so those will only be designated to a rare post. Read as I explore the confines of each medium, and which games I feel best utilize those confines and change both the nature of the medium and our ways of viewing it. Saturday, November 2, 2013 Album Review: Fleetwood Mac, Extended Play It seems like Fleetwood Mac make some of their best music in periods of great volatility. Rumours, the band’s 1977 masterpiece, was written and recorded during a time when the band’s personal lives were in the toilet. The Mac’s latest release, the four song EP Extended Play, was recorded in another bout of uncertainty, with multiples recording projects being derailed by Stevie Nicks’s and Lindsey Buckingham’s solo careers. Like during Rumours, the band somehow remains at their most focused during a storm, and has produced an incredible record. One of the best things about Extended Play is that it sounds like Fleetwood Mac. In an era where the music industry seems to be pressing for more homogenization, it is great to hear a band that sounds like themselves. The EP’s lead, and best, track “Sad Angel,” is a classic Mac song of the highest caliber, reminiscent of many of the tracks from the beginning of the Buckingham-Nicks era Mac. Buckingham’s vocals effortlessly blend with Nicks’s, showing the potency of this long partnership. In fact, all four of the tracks on the EP fit seamlessly in the canon of the first few Buckingham-Nicks led Mac. Buckingham’s electric and acoustic guitars shine together, for an incredibly well blended, bright sound. John McVie’s bass flits between sweetly accentuating the melodies to pounding along with Mick Fleetwood’s steady, reliable drumming, showing the strength of the consistent core of the band. And, like many good Fleetwood Mac songs, love is at the forefront of these songs from the haunting Buckingham solo piano and voice track “It Takes Time,” to the pleasant day dream of “Miss Fantasy.” Despite none of the band members being romantically linked any more (Christine McVie left the band after divorcing John, and Buckingham and Nicks terminated their romantic relationship during the recording of Rumours) it seems that these old habits die hard. In a musical culture where artists, consumers and producers keeping pushing for “the new,” it is refreshing to hear something so classic. Fleetwood Mac reasserts themselves as a still relevant and superstar band in 2013, and remind us why these bands are still around, and still kicking ass. Rating: 9.0/10 (guess this maybe should have been in EP reviews thread but i'm lazy to search...)
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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