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Does anyone ever wonder why there weren't more songs that were credited to either "Stevie & Lindsey" or "Lindsey & Christine" etc. For instance, a song like Gypsy. We all know that Lindsey did alot with that song. I know that Stevie wrote it, and as she says, she brings in a "skeleton" of a song and then Lindsey will put his magic in and mold it into its final version. Shouldn't Gypsy be credited to "Lindsey & Stevie" then?
Admittedly, I know nothing about how these things work. Is it because Stevie wrote the lyrics and the simple melody so she is credited with all the songwriting credits? Then I don't understand how a song like "The Chain" is credited to all five members?? I mean, really, doesn't John come up with a bass part for every song, like he did with The Chain?? So shouldn't he be credited on every song? It just seems strange to me. But, then I don't really understand how it works, so hopefully someone can help me out. Also, compare The Beatles. Why are Lennon & McCartney credited for every song that either one of them did (for the most part anyway, I'm not 100% sure on this.) From what I've read on The Beatles, Paul or John would write a song etc (and I'm assuming came up with the melody etc) so shouldn't only one of them be credited? Or is it just a matter of personal choice? ![]()
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
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#2
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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It's up to the people working on the music to decide who is author of what. Lennon and McCartney didn't co-write a lot of their music. One or the other did a lot of songs on their own. The co-authorship was given on a lot of John and Paul tunes no matter who did what. With Stevie and Lindsey I'm sure we'll never get agreement on whether LB deserved credit for any of Steive's music. I personally believe he did deserve but never asked for it. Other's don't think so. Seeing as Stevie has so many co-authorships in her solo career, I find it hard to believe anyone else but Lindsey would have done the amount of "magic" on Stevie's songs, for nothing, as he did. Why else is all her pre-solo stuff credited only to her, but more than half her solo albums have co-credit or cover songwriters? Already ducking the flames...
![]() Here is Stevie's most recent view of her songwriting with LB. No mention was made of her songwriting with all the other people she's co-authored with, but as far as LB is concerned, he is only a producer and that's it. http://www.viceland.com/se/v1n7/htdocs/long.php Last edited by glitter_fades; 05-05-2005 at 09:25 PM.. |
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#4
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
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I think I'll post the link over in the Stevie forum just so people know about it... |
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#8
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#9
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
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#10
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Movie business producer = music business record executive Movie business director = music business producer Quote:
"Running Through the Garden" and "Battle of the Dragon" - the music to both of these songs was written by the same team (g. nicholson & j. jarvis). These songs were finished during the same RAL period. Mike Campell from the Heartbreakers has consistently sent her music tracks. Benmont Tench gave her one, too (the infamous "Desert Angel"). Again, I think Stevie ran out of new music ideas quite some time ago. She used to write all the time in the I IV V key of G in her early days. All those "Anybody There" / "Stay Away" / "Amber" songs are all like that- "That's Alright" was also originally in G. With "Rhiannon" came the days of Am and all the subsequent key of F songs- "Beautiful Child", "Sisters of the Moon", "Gypsy", "Sara", "Outside the Rain", "Straight Back", "Sable on Blond", "No Spoken Word", "Sweet Girl", "Fall From Grace".... Other than that, she has occasional hiccough of songs that are based on bass line driven chord progressions- "Blue Lamp", "Baby Doll", "Whole Lotta Trouble" and "Trouble In Shangri-La" are all songs where the chord progression follows Stevie's bass line "melody". It all makes sense to me. She's not really a musician, so it can become difficult to write inspired songs with the same old chords. Trouble is- it can even be MORE uninspired when one adds clumsy lyrics and a half-assed melody to someone else's music ("That Made Me Stronger" "Love Changes" ) |
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#11
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#12
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Did she pull a fast one and change the songwriting credits like she did with "Has Anyone Ever Written Anything For You?" Well, if she did write the whole thing she should be ashamed of herself for putting that stinker in instead of the marvelous "Space Needle". |
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#14
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If you think about in terms of somethign like standards, it might make the distinction a little clearer. Even keeping it in the realm of Stevie, take a song like "At Last." Stevie performed/recorded it one way; Etta James recorded it very differently. But the differences are all in the arrangement and production. The song - the lyrics, the melody, the chords - were all written by Mack Gordon and Harry Warren. Now I don't think those two ever recorded a version of the song in their lives; they weren't performers, to my knowledge. So no violin or horn arrangements were ever their doing. But they wrote the song; they get the songwriting credit. Or think of covers. Kind of the same thing as standards, really. And again keeping it in the realm of Stevie: "I Still Miss Someone." Who came up with that absolutely wretched arrangement? I don't know. I don't want to know. I don't ever want to listen to that recording again. It's completely reworked and horribly butchered. But the songwriting credit still goes to Johnny Cash, because he wrote the song, even if Stevie or Rupert Hine destroyed it. "The Chain": Yes, John probably comes up with his own bass line for almost every FM song, but the specific bass line he comes up with is always a reflection of the chord progression and melody written by the songwriter. Except in the case of "The Chain," where he came up with the bass line on his own, and it was later worked into the song. As far as everyone being credited for songwriting on that track, it was probably just a PR decision. Stevie wrote some lyrics, John wrote bass line, Lindsey wrote a melody... hell, at this point we might as well credit Mick and Chris for their part in the jam session, right? The Beatles: In the beginning, John and Paul did write a lot of their songs together. And when they signed their record contract, they agreed always to credit their songs "Lennon/McCartney," no matter who did most or all of the writing. So they were stuck with that legally, and they had to do it even later on, when they were clearly no longer writing songs with each other. Does that make the whole imbroglio any more lucid, I hope? |
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#15
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