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#1
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Nobody arranges and produces SN's songs anywhere near as well as LB. At least, that's the way it seems to me.
Agree or disagree? |
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#2
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Agree. Definitely. I wish he had produced TISL.
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x Maggie ![]() Fleetwood Mac - Glendale, Arizona - 5/24/09 ♥ Fleetwood Mac - Oberhausen, Germany - 10/12/09 ♥ |
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#3
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Completely agree. Say You Will proves that beyond a doubt. It's her best music since Tusk.
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
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#4
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Everybody Finds Out shows both SN and LB stretching out in exciting ways.
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#5
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Don't agree! I offer up "Smile at You" and "Silver Girl" as evidence.
"Desiny Rules" was a great song that was poorly executed- it should have been done in a higher key and with a stronger vocal. Ditto "Say You Will." One of the primary roles of the producer is tell the artist whether something is or is not working. Songs like "Welcome to the Room... Sara", "When I See You Again" and "Silver Girl" should have definitely been aborted.I think Stevie's best collaborators, by far, have been Jimmy Iovine and John Shanks. Stevie's worst collaborators have been Rupert Hine and Mike Campbell tied in first, with Sheryl Crow close behind. I think Lindsey is somewhere in the upper middle of the spectrum. |
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#6
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Quote:
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#7
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Nothing Iovine or Shanks produced or orchestrated for Nicks is anywhere near the inventiveness & quality of GYPSY or DREAMS -- or SEVEN WONDERS, for that matter. Lindsey's well seems to me to have run dry, but there was a time when he perfectly complemented her goofy words & passionate singing.
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moviekinks.blogspot.com |
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#8
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I don't know... I just think Lindsey maybe has a talent for bringing out Stevie's true self in her songs. When she was at her creative pinnacle and was soberish (1975-1982) Lindsey definitely brought out her true talent and polished it to a sheen. When she started to go downhill creatively and personally (1985-?) he certainly had a talent at showing she was drying up. If Stevie gives him strong material to work with, he can do great things. If what she gives him is less than great, he showcases that as well. Case and point, Stevie's voice certainly had weakened by the time of Say You Will. Instead of trying to hide that behind vocal layering and such, he just left her vocals mostly bare and put it right out there (ala the SYW Thrown Down vs the Wall o' Sound version). Sans Destiny Rules, he just left her voice bare and unadorned... no layering, no cave-ish echo, he let it be known her range isn't what it used to be, she's more nasal, flat, etc. I don't necessarily think it's a form of revenge like she's suggested, but I think it's instead his way as an artist of capturing a moment in time, much the same way a photographer would do (no painting vs movie jokes!!! LOL). |
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#9
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like if ms Nicks would have any collaboration left on Tango. She was just Bad those days. I think Silver Girl would have been dropped if Lindsey did NOT have had his time off from the band. He just wanted to be there too much.
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#10
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Quote:
-Matt
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(Lindsey Buckingham guitar solo compilation videos) Last edited by Skyveris; 02-06-2009 at 11:55 AM.. |
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#11
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I pretty much had a big reply to this all written out, and it resembled everthing thats already been said, so I will say this; Lets just wait and see in a few months, shall we... I have a feeling Stevie's songs will have no problem being great without the help of Lindsey, no problem at all.![]()
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"Take your silver spoon.." Even If I Never Hold You.. Again.. |
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#12
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Agree 100%. My wish has always been that he produce an entire album for her.
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