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#1
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I just realized that in the same period of time since Say You Will came out, Fleetwood Mac released six albums (Future Games, Bare Trees, Penguin, Mystery To Me, Heroes Are Hard To Find, and Fleetwood Mac) and had five lineup changes.
What have we gotten in the last four years? A fairly average live concert DVD, another greatest hits CD from Stevie, lots of confusing doublespeak, and a solo album that music critics went gaga ape**** over but couldn't make an impression on the general public. Boo. |
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#2
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I don't think it has been all that bad! Don't forget the marathon SYW tour, a marathon tour from Lindsey, a number of mini-tours from Stevie, a sublime solo album from Christine and a bajillion unreleased/alternate tracks on the reissues. I think it has been a great time to be a Fleetwood Mac fan- much better than the mid 90s drought when hardly anything worthwhile was going on. |
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#3
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^^
I tend to agree. Plus, SYW was a double album, esp. if you count the two extra songs on the DVD-R. |
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#4
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yep. I agree too. Stevie never stops working, really. to be their age and to have accomplished as much as they have, I'm thankful to have anything.
don't get me wrong, I'd love a helluva lot more and more than just "commercial" - |
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#5
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Compare that to another band I really like, Guided By Voices (who were lead by vocalist -and fellow Dayton native- Robert Pollard): GUIDED BY VOICES ALBUMS: 1995 - Alien Lanes 1996 - Under the Bushes, Under the Stars 1996 - Tonics and Twisted Chasers 1997 - Mag Earwhig! 1999 - Do the Collapse 2001 - Isolation Drills 2002 - Universal Truths and Cycles 2003 - Earthquake Glue 2004 - Half Smiles of the Decomposed EPs (some were almost long enough to be LPs): 1995 - Tigerbomb 1996 - Sunfish Holy Breakfast 1996 - Plantations of Pale Pink 1997 - Wish in One Hand... 1999 - Plugs For The Program 2000 - Hold On Hope 2000 - Dayton, Ohio-19 Something and 5 2001 - Daredevil Stamp Collector: Do The Collapse B-sides 2002 - The Pipe Dreams Of Instant Prince Whippet ROBERT POLLARD SOLO 1996 - Not in My Airforce 1998 - Waved Out 1999 - Kid Marine 1999 - Speak Kindly of Your Volunteer Fire Department (with Doug Gillard) 2001 - Choreographed Man of War (billed as "Robert Pollard and the Soft Rock Renegades") 2003 - Motel of Fools 2004 - Fiction Man 2005 - Music From "Bubble" 2005 - Zoom (EP) 2005 - Relaxation of the Asshole 2006 - From a Compound Eye 2006 - Normal Happiness 2006 - Moon (live EP) 2007 - Meet the King: Asshole 2 2007 - Silverfish Trivia 2007 - Standard Gargoyle Decisions FADING CAPTAIN SERIES (Pollard's self-financed and released series that were released both under his own name, and a wide variety of pseudonyms.) Acid Ranch: 2002 - Some Of The Magic Syrup Was Preserved 2005 - As Forever: A Manifesto Of Fractured Imagination And Wreckless Living Airport 5: 2001 - Tower in the Fountain of Sparks 2002 - Life Starts Here Circus Devils: 2001 - Ringworm Interiors 2002 - The Harold Pig Memorial 2003 - Pinball Mars 2005 - Five 2007 - Sgt. Disco Go Back Snowball: 2002 - Calling Zero Hazzard Hotrods: 2000 - Big Trouble (re-released as Bigger Trouble 2005) Howling Wolf Orchestra: 2000 - Speedtraps for the Bee Kingdom Keene Brothers: 2006 - Blues and Boogie Shoes Lexo and the Leapers: (Robert Pollard backed by The Tasties) 1999 - Ask Them Lifeguards 2003 - Mist King Urth The Moping Swans 2005 - Lightninghead to Coffee Pot Nightwalker (a GBV alias) 1999 - In Shop We Build Electric Chairs: Professional Music by Nightwalker 1984-1993 Phantom Tollbooth: 2003 - Beard of Lighting Psycho and the Birds: 2006 - All That is Holy The Takeovers: 2006 - Turn to Red Note: Bob Pollard was born in 1957, so he not drastically younger than the people in Fleetwood Mac (and is actually older than Bekka).
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 05-12-2007 at 12:49 AM.. |
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#6
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Frankly, I'm bored to tears with it all. I'm really not a fan of the solo albums. I find I can only take so much of a particular singer's shtick.
Lindsey Buckingham: A few artsy-Lindsey songs go a long way (which is good, considering how often he releases material), but after a while, it comes off as self-absorbed, self-indulgent arrogance. The fact that he’s the guy who penned “Go Your Own Way” automatically eliminates him from being Joni Mitchell with a penis, so quit trying to shove that routine down our throats already! Stevie Nicks: Okay, the ethereal thing was killer back in 1977, when we had “Star Wars” scenes airbrushed on our vans. And, much like those vans, it seems pretty pathetic 30 years later. Whenever I see a mystical song on a new Stevie Nicks album, it makes me appreciate Grace Slick’s decision to bow out gracefully (or at least until she went bat **** crazy, but that’s another discussion). Plus, Stevie’s limited vocal range and limited abilities as a songwriter (specifically in terms of chording) can make for an album that gets boring after about twenty minutes. In short, a twenty something space cadet is downright cute. A sixty something space cadet is utterly sad. A Bob Dylan with a vagina you are not, Miss Stevie! Christine McVie: As much as I love her voice, her lyrics are trite and often laced in cliché. That tends to wear on me after a while, and bores me to tears. This is why I think they were great together (at least until “Tusk”). There really wasn’t time to get bored with any particular member, and they were all bringing their best material to the band. They were very different, but the harmonies and Fleetwood-McVie rhythm section tied it all nicely together. I could also write about the other members of Fleetwood Mac, but I’ll keep it to just the “Rumours” singer/songwriters. All I will say is that my favorite recent solo album is Jeremy Spencer’s. He sings classic Robert Johnson/Elmore James songs and then throws in songs with heavy political and religious messages. While I might not agree completely, I love how ballsy and honest that is. He didn’t care what anybody thought and did not play to a specific audience. He played the classics he loved AND spoke his mind, and that’s completely refreshing and certainly worthy of respect. Still, as expressed by others, my enthusiasm has nose-dived in recent years, mainly because I’ve listened to everything so much that it’s really lost its point. The new stuff is okay, but lacks a lot of the spark that kept my interest going for so long. Oh, I'll see them when they come to town, but I'm not sure I'll make an effort to go on a road trip. I could have met Lindsey this past fall, but figured it was pointless. Plus, I’ve been following hockey pretty closely the last few years, which has taken a huge chunk out of my music time. When I do listen to music, I tend to go indie and/or alt.country (and, classic country, for that matter) these days.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 05-12-2007 at 12:48 AM.. |
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#7
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Well, they don't need to make 6 albums in 5 years or whatever it is because A) There really is no such thing as a 5 record deal anymore, and B) Because they're still richer than God and don't need to be doing that. It's all about the $$$, as if there was any doubt.
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#8
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To add insult to injury, they can't even manage to get it together to give proper treatment to their already released material -- such as remasters of Mirage and Tango, Buckingham Nicks, plus various videos/material waiting for DVD release. Most fans are lucky to be able to attend possibly one show each tour, if that. So all the touring in the world does nothing for fans who grow seven years older before they can expect something new.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 05-10-2007 at 10:39 AM.. |
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#9
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honestly, i don't even care anymore
i still love FM and stevie, but i've moved onto other artists. i guess i'm kind of sad that i'm not sad that i don't think stevie will release another album.wow, that is one ****ed up sentence. |
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#10
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and I'm witchu on all of dat. |
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#11
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![]() and lol @ HejiraNYC calling Christine's album sublime ![]() Last edited by foxyluva; 05-10-2007 at 03:57 PM.. |
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#12
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It's a great record!
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#13
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Its nice enough - I'd hardly call it sublime though...
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#14
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#15
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it may be fukced up, but it totally made sense of exactly how i feel. you nailed it. 100%. i completely agree.
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Cat "We're rock stars. We are not nice." Stevie Nicks, the sage mother goddess fierce gypsy bitch we adore. |
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