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#1
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[Don't damn them with faint praise]
The Pitch, by Chris Parker http://www.pitch.com/events/fleetwood-mac-985110/ Fleetwood Mac’s mid-’70s success so dwarfed its prior work that most people are unaware the band had undergone several lineup changes and released 10 albums prior to the addition of Lindsey Buckingham and Stevie Nicks. The group's subsequent music and lifestyle epitomized the era, from rampant drug use and adultery, to ambling, soft-rock balladry. Though Christine McVie scored her own hits (“Don’t Stop,” “Over My Head”), they paled in comparison to Nicks' (“Gypsy,” Landslide,” “Rhiannon”) and her larger-than-life, rhinestone-clad, witchy-woman presence. Ironically, it was the romantic difficulties between the combo’s couples that fueled its finest album, Rumours. Plying a blues-based backbone and swathing it in ringing guitars, shimmering keyboards and soaring, multi-tracked backing vocals, that album melded pretty melodies and rich production to a chassis muscular enough to carry the weight. Nothing in the group's catalog comes close to the Rumours lineup's first three records, as afterward the Mac generally succumbed to its worst (overproduced, undercooked) impulses. |
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#2
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http://www.kansascity.com/entertainm...y/1180735.html
Fleetwood Mac: Go your own way, at the Sprint Center or the Czar Bar By TIMOTHY FINN The Kansas City Star If you have neither the time nor the spare wad of cash to see Fleetwood Mac at the Sprint Center Friday, you have an option (as long as you’re 21 or older and ready to stay up past midnight). “Everywhere,” a Fleetwood Mac tribute band, will perform Friday night at the Czar Bar, 1531 Grand Blvd., about two blocks south of the arena. The lineup includes several local music stalwarts, including members of Ghosty, the Gaslights and Olympic Size. Unlike the band that will play the Sprint Center, this one has a Christine McVie and will give you songs like “Over My Head.” That one will be part of a setlist that will span the band’s vaunted catalog, from “Sentimental Lady” to “I Know I’m Not Wrong.” The evening will begin with the WearHouse Electro Dance Party, featuring DJ Dust and Jacob Sharp. “Everywhere” will start roughly about the time the big concert ends. Visit www.czarbar.com (816-221-2244). |
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#3
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[You might want to go to the site and read the reader comments after the review]
Kansas City Star Music Blog, May 9, 2009 by Timothy Finn http://backtorockville.typepad.com/b...15707a17e3970b The version of Fleetwood Mac that visited the Sprint Center on Friday isn't the best-known of the band's many versions. Without Christine McVie playing keyboards and singing some of her everlasting pop songs and love ballads, the Fleetwood Mac that is out on the road today isn't the one everyone remembers most. Nonetheless, it can still indulge an arena filled with rabid fans thirsty for a big dose of nostalgia. For more than two and a half hours Friday, they played a setlist loaded with hits and favorites -- 23 songs in all. Most were from the trilogy of mega-platinum albums released in 1975-79: "Fleetwood Mac," "Rumours" and "Tusk. "With help from three background singers, an extra guitarist and a keyboardist, they made everything sound a lot like it did more than 30 years ago. The rhythm section hasn't changed since the band was founded in the 1960s as a British rock-blues band: John McVie and Mick Fleetwood are still keeping time (and still wearing the black vests over white shirts). But this version of the band has become the Lindsey & Stevie show. Both implicitly and explicity, the show emphasized their tempestuous long-term relationship, both professional and personal. Before she sang "Gypsy," Nicks recalled the first time she met him back in 1965. After "Sara," they posed for a long moment in an odd embrace: he leaning his head on her shoulder, she with her back to him. During "Storm," they looked hard at each other as they sang, "Not all the prayers in the world could save us." And they re-entered the stage for the two encores holding hands, like a teenage couple. But all that was just window dressing for an event that showcased two things primarily: The band's enormous catalog of hits; and Lindsey Buckingham's dazzling work on the guitar. He makes a noise that is like no one elses, using only his bloodthirsty fingers, at times hammering out his own rhythms with his thumb and playing leads over them. His voice these days is still in remarkably good shape, even when he has to howl through a song like "Go Your Own Way." Nicks isn't the twirling gypsy-witch she used to be. These days, she dances in parentheses (as a quiet afterthought), and her voice has dropped at least an octave. Still, she can carry all her tunes and add some nice harmonies to Buckingham's lead vocals. They sang the Christine McVie hit "Say You Love Me," and made it sound like some kind of Everly Brothers tune. The place was nearly full and loud, all night. The crowd was decidedly boomer-heavy, but there were plenty of fans 30-something and younger, too, a sign of how all these songs have taken root in younger generations. It's hard to imagine a band these days putting out records like this one did: Fans know the words to every track; and every song feels like a hit. There were one or two lulls. "Storms" prompted a flood of traffic up the aisles. So did Fleetwood's long drum solo during "Oh Well," the traditional nod to the band's blues roots. He is looking wizened and wizardly these days, his white beard giving him a strong Dumbeldor resemblance. (He wears a long black cape off stage and has his own cape attendent, like James Brown.) The highlights: The first four songs, each setting off its own detonation of cheers and singing. Buckingham's guitar play on "Never Going Back Again." "Tusk," in which keyboardist Brett Tuggle sufficiently re-created the sounds of the USC marching band. "I'm So Afraid," which ended like it always does: with Buckingham stirring up some wildfire on guitar. "Landslide," in which Nicks took back the song from everyone who ever covered it poorly (especially Billy Corgan). And "Go Your Own Way," which ignited the most mania of any song all night. They ended with three encores: "World Turning," a raucous rendition of "Don't Stop" and then an anti-climactic "Silver Springs." Most of the crowd stuck around till the end, however, though some had been in the place for nearly four hours. And it's worth mentioning that after the show, some of them showed up in the line outside the nearby Czar Bar, which was filled to capacity with lots of young music scenesters. Inside a tribute band was playing Fleetwood Mac songs. | Timothy Finn, The Star |
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#4
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^Awww. Stevie talked about how she met Lindsey in 1965. I want to hear that.
Why am I always denied? Watch. By the time I see them again, she will just introduce the song by snapping, "Hey, it's about a gypsy!" I know Mick sometimes wears a cape, but I didn't know his assistant helped him put it on. Oh brother. Poor, Steve. Michele Last edited by michelej1; 05-09-2009 at 08:26 PM.. |
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#5
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It was a really great show. I was in the 11th row, FLOOR, center! So, I was very very happy. Stevie and Lindsey both sounded really great, as did Mic and John and all the girls backing up.
The songs: Monday Morning: Really cool. It's never been one of my favorite songs, but I definitely appreciate it more now. Lindsey's voice sounded really strong, and this was just the beginning of what seemed like endless awesome guitar solos...Stevie's back up was good also. The Chain: Killer! Stevie did some extra long interjected notes here and there, and Lindsey sounded stronger on it than on the Say You Will tour. Awesome. Stevie has been playing the tambourine from the beginning of the show and she plays it pretty much every chance she gets...every song for which it's appropriate, so I was happy with that. and Lindsey digs into the crowd quite a lot and let's people touch his guitar and his hands...He jumps around a couple times and does some funny walks..Stevie reached out and touched a little girl on someone's shoulders, and then someone else on the other side of the stage later in the show, and she was dancing and doing some twirling. Dreams - I've heard Stevie do this by herself twice, but this time was special. She sang it differently than any version I have heard in the last ten years. There were many excellent moments, and a cool higher note. I Know I'm Not Wrong - I think Stevie might have disappeared at this point, but I'm not totally sure. Lindsey's solo tour made me love this song, so it was just great to hear with full on Fleetwood Mac. Gypsy - Yay, quite good. It got huge applause, and Stevie sang it strongly, with Lindsey doing wonderful backup - They both seem to really enjoy this song. I always get excited to hear the blistering guitar solo at the end. Go Insane - Awesome, Stevie disappears, Lindsey holds out a really long awesome note at the end of the song that got huge applause. Some people sat down for this, but really only some. And it was cool because my row and the row in front of me didn't really sit, but about three rows further did so there was a gap where Lindsey could see us so clearly and I swear he was looking right at me. But of course, the guy next to me probably thought the same thing about himself. Loved it. Rhiannon - Nice, nice. Nothing special about it really, but it was a good performance. Second Hand News - Yay. Nice, nice. Tusk - Badass. The band gets so into this song. The backup vocals are great, the playing..and Lindsey does some awesome things with his vocals here. Killer guitar solo AGAIN. Sara - Beautiful. I really really wanted to hear this. She sang it so well. She did the sharing-the-mic thing with Lindsey and layed her head on his shoulder. There were gorgeous moments all throughout this song. One of my favorites of the night. Big Love - Of course, amazing. Some people sat down again for this, but by the end of it, everyone stood in applause. I never sat down for a second though, on any song. Landslide - Another gorgeous, gorgeous performance. This tour, Stevie is really changing it up a little for Landslide. The audience was so still, of course. Totally great. Never Going Back Again - Looooooooooooooooved it. Never heard Lindsey hold out the "and see meeeeee again" note as long as he did this time. This is one of those songs that Lindsey performs way better now than on the original studio version. Stevie's backup was great too. One of my faves of the night. Storms - gorgeous. They sang it to each other for some parts, and Stevie varies the way she sings it each night it seems. I'm so glad this was finally brought out. Say You Love Me - Fun. The audience was way into it, and the band all around does it such great justice. Great idea to add in. Gold Dust Woman - another favorite of the night. Huge held out note on "draaaaaaaaaaaaaaagoooooon" ... I like this song because it's different every time you hear it. Oh Well - lots of fun. Lindsey basically reminds you for the millionth time of how cool he is. And he is cool.... Stevie banged away on the tambourine, fun fun fun. I'm So Afraid - trippy and awesome. Stand Back - cool once again, and I'm glad the drum solo is gone. Go Your Own Way - killer solo at the end, tons of energy from both. Lindsey's voice seemed to weaken on the Say You Will tour by the end of the night for this song, but not this time. Strrroooong performance. Stevie wore the top hat.. They had a lot of fun. World Turning - Yay! Loved it. Silver Springs - I loved this also, such a beautiful song. Great freakin' night. Go see them. It was PACKED. If not sold out, it was at least 97 percent full. |
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#6
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Does anyone have any videos or photos from the KC show?
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#7
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Quote:
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#8
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If you can remember, what did Stevie say about meeting Lindsey? I've got loads of interviews where she talks about walking into the room, with him in the middle of it, California Dreaming, etc., but I don't think I've ever seen her do it in person. Michele |
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#9
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I recall several different versions where she called him "darling" and "beautiful" upon meeting him on that night. One of these was an interview with Courtney Love.
__________________
"Reality leaves a lot to the imagination." ~ JL |
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#10
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she talks about meeting LB a lot in a great Timespace interview, calling him "an absolutely gorgeous man..."
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I remember it all...you just had to fall... |
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#11
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Quote:
I think he talked about it in his BTM too and said that she recited some poetry to him observing that she considered herself a poet even thing. He recalled hearing her stuff and said he had some critical comments to make about it and he added, "that hasn't changed." Michele |
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#12
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He was kind of beautiful, though, around the time they met. I guess those Fritz pics some people have posted could have been a few years later, but there's no question he's a gorg young man. He was all baby faced and the curls were so soft. Dressed a little preppy but it suited him.
The only time where I ever saw Stevie discuss LB's looks, as opposed to read about it, was on that Jimmy Kimmel interview. That was an interesting interview, actually. Stevie Nicks almost always does great interviews, though. That's for certain. ![]()
__________________
"Reality leaves a lot to the imagination." ~ JL |
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#13
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Quote:
But, generally I'll skip everything before age 29/30. If I'd been looking at the photos contemporaneously, my view would be different. If I'd been used to only black and white pictures and the clothes and hair fashions did not seem alien to me, then I think I could appreciate his early looks a bit better than I do now. Color would especially help, because his eyes are one of his best features and color pictures would bring them out. But as it is, as much as I value some of the early stuff from a historical viewpoint, I can't really get my salivate on until Tusk. Michele |
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#14
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Not me. My salivate works all time periods. I'm with Stevie. He was beautiful and he's "still totally handsome"! |
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#15
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It was fun in 1997 when she said that Lindsey was still thin and "pretty gorgeous." Michele |
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