Quote:
Originally Posted by bombaysaffires
While I love Don't Look Down, it's just NOT single material.
The interstitial talking bit reminds me of a Laurie Anderson sort of performance art piece.
I liked the imagery of the title Out of the Cradle because it speaks simultaneously to maturity as in just aging but also to the idea of getting out of FM and that whole 'rock star' thing which can be infantilizing.
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These bits reminded me of a theory I’ve had for a long time, which is counterintuitive. I think it’s Lindsey’s Fleetwood Mac fame that kept him from having a solid, self-sustaining solo artist career. I think if he had not been in Fleetwood Mac (or been in for only a few years), he may have created an indie career with enough buoyancy to last for decades, like Stereolab or Thomas Dolby or Elliott Smith. But he was always worrying about success at the Fleetwood level, and that sunk him over and over again. Somehow, too, many listeners who might have been in his camp in the 80s and 90s just kept comparing him with Fleetwood — “He should have been more this or more that.” But every single solo record he puts out is contraindicated by the gargantua Fleetwood Mac. He is always an extension of them (as are Stevie, Christine, Mick, and John). He cannot cut that tie; all his solo work is an analogy (
this is like
that or
unlike that).