Quote:
Originally Posted by David
Both are great songs with sweet hooks. But ONLY OVER YOU is nearest and dearest to my heart. John McVie’s bass is wildly out there and lovely on the outro, and the B section (“Angel, please don’t go/I miss you when you’re gone”) is probably my favorite four bars in all of Christinedom. I even prefer the alternative take from the 2016 release; the studio final has great harmony singing but I don’t need that psychopathic pedal-point note on the organ drawing attention to itself like Morse code (I would have left it out or mixed it way lower just to give the barest hint of it) or even Mick’s martial drum roll at the transition. The final mix is too gimmicky for such a winsome song. The song does not benefit from “clever,” humorous production touches.
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I dig the organ signal. It’s obsessive, as is the lyric. The drum roll doesn’t bother me but it doesn’t necessarily add to the song.