View Single Post
Old 05-07-2022, 08:18 AM
TrueFaith77's Avatar
TrueFaith77 TrueFaith77 is offline
Addicted Ledgie
Join Date: Mar 2007
Location: New York City!
Posts: 5,005

30.Everything Went Fine (Francois Ozon); grade: A-

Ozon always queers his “straight” films. That is, even his seemingly well-made melodramas like the new Everything Went Fine evince the formal cleverness and a focus on individual rebels made extravagant and subversive in his other more surreal or Brechtian films. The most prolific filmmaker of the century is astonishingly consistent and versatile. EWF features a homosexual daddy (André Dussollier) of two girls (with wife Charlotte Rampling) who extends his sexual license to end-of-life decisions after suffering a debilitating stroke. Dussollier is simply magnificent salivating over his waiter crush and sole meunière at his last meal—“This is what I wanted!”—and planning his burial site away from his wife’s parent’s as they were hampered by “bourgeois!” norms. His favorite daughter played by Sophie Marceau experiences dreams and memories about her complicated relationship with her gay dad as she goes through the process of securing an assisted suicide in contravention of French law and her own desires. Then, when she walks in on her father saying goodbye to his gigolo lover, Ozon teases shock when the camera pans down from her POV to Dussollier’s lap. Through cathartic resolution, Ozon’s very moving melodrama daringly attests to the radical core of the nuclear family.
"They love each other so much, they think they hate each other."

Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way"

Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart.

Last edited by TrueFaith77; 05-07-2022 at 03:12 PM..
Reply With Quote