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Old 04-13-2022, 06:14 AM
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TrueFaith77 TrueFaith77 is offline
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24.Ambulance (Michael Bay); grade: C

Better the social allegory of Larry Cohen’s THE Ambulance (1990) than the overt political analogy of Michael Bay’s Ambulance. Bay turns the current, real urban post-apocalyptic hellhole of L.A. into a car-chase morality tale about U.S. exploitation of disposable Vets of its Middle East misadventures and, as played by Yahya Abdul-Mateen II, the veterans’ misplaced loyalty and subsequent moral desperation and degradation. Being explicitly political, Bay’s populist cinema condescends to, dismisses, and misrepresents American pain. Still, the non-stop chase allows Bay to demonstrate his considerable kinetics that shame movies like The Batman and Everything Everywhere All at Once. It’s decadence that impresses. He’s a greater filmmaker than B-movie master Cohen, but on the big screen Cohen’s THE Ambulance movie is richer and more fun. Cohen starts with Eric Roberts as a comic book artist engaging in romantic flirtation that draws out moral action—flipping his love story and vividly imagining late 80s/early 90s NYC. The Ambulance transforms Cohen’s comic paranoia into poetry. (Bay should use his influence to adapt one of Cohen’s unproduced scripts.) Abdul-Mateen II’s obscene dishonesty to his wife in the Bay film contrasts with Roberts’ spiritual fidelity in the Cohen film—the quest to save one woman leads to a deeper connection with another. The culture is in critical condition.
"They love each other so much, they think they hate each other."

Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way"

Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart.

Last edited by TrueFaith77; 04-13-2022 at 07:04 PM..
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