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Old 12-02-2009, 01:30 AM
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Quote:
Originally Posted by SteveMacD View Post
The only thing I see as being somewhat universally true, though, is that people who had been close to Peter noticed an almost immediate change afterwards. Not JUST Mick, but John, Christine, Jenny Fleetwood, and others have commented over the years that there was a stark change in Peter's personality. Given what is known about schizophrenia, he met all of the high risks (i.e. a somewhat introverted, uncertain male with life-long religious issues under the age of 25 suddenly in the spotlight, not exactly sure how to cope with it, who was using hard drugs). It wouldn't really take a lot to get somebody like Peter, or Danny, to that point.

Here's what I don't understand about the "introverted" Peter Green:

This is the same person who approached established British blues artist John Mayall (while Clapton was in Greece for a couple months in 1965) to claim he was better than Clapton's replacement onstage. Keith Moon was at least drunk when he told Roger Daltrey he was better than the drummer onstage in 1964. That's just plain brazen confidence. Where did it go? It of course worked out for Green when Clapton formed Cream a year later, Mayall asked Green to replace Clapton.

Peter Green during the Mayall years, and the first year and a half with Fleetwood Mac was very controlling. He knew what he wanted and he expected it from his session musician's, or FM band members. For those who have the "Fleetwood Mac Blue Horizons Sessions" box set know this. Peter Green was a great leader, a task master, he always complained that Mick Fleetwood was behind the beat. He was demanding, but was correct everytime. He used to verbally fight with producer Mike Vernon.


So prior to the first U.S. visit in San Francisco with Owsley Stanley (Bear) in 6/68, Peter Green is a very self confident guitarist. Peter began to change during the first U.S. tour in the fall of '68. That's when "something" happened. From that experience came self doubt: "Man of the World", "Green Manalishi", and "Oh Well". Forget the Munich incident, this "trigger" happened during the U.S. late '68/early '69 tour.
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