Quote:
Originally Posted by aleuzzi
I voted yes, but I think the real reason he continued helping her isn’t directly mentioned in the choices. For Lindsey, the success of each FM project is essential to his identify and his legacy as producer/musical visionary for the band. If there’s a clunker that could have been something much greater, then he knows eyes are on him. I may not always like what he does, but his choices are at least interesting.
Personally, I loved what he did with most of Stevie’s songs on SYW. She sounded edgier than on TISL. Yes, I think some of his decisions about arrangements on her tunes failed, but even her dud songs on SYW seem innovative, a step forward musically, compared to what she had been doing for the previous 10 years. LB is integral to that step forward.
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And some songs that were not innovative were still not what I would have expected from her. I mean, I did not expect Stevie to do an imitation of Christine on the title cut. And EFO sounds like something she would have done with a solo producer rather than Lindsey. They surprised me. Some people say that it was a BN album, but I found it took them in different places than they’d been before — even if some of those places were overgrown with tree roots, RTTG.