Quote:
Originally Posted by DoubtfulMiracle
- GDW was awesome. Mick was damn loud on the drums in parts, which really struck me. As in Sydney, we had the prolonged, repetitive kind of wail, followed by the more standard sort of wail. The ending we got was, I think, "she dove into the shadows/she dived into the shadows", "you let her go into the shadows" and a very definite "now she's gone" to pretty much take the song to its close. I'm not even sure if I'm remembering things exactly right at the moment, but it was an ending I hadn't heard before and it was actually quite chilling. Slightly accusatory in a way, and I liked that.
- I had forgotten Oh Well was in the set, so that was a nice way to surprise myself  . I think it was here that we got some unusual kind of dog yaps from Lindsey at the end. |
Oh, I'm intrigued by the new words in the
GDW ending. I always like to track the evolution of those adlibs. I'll be looking for boots. As for Lindsey' yapping like a dog at the end of
Oh Well, I tired of that with
Holiday Road, so I'm not looking forward to hearing
that. But I'm glad they all seem to be having so much fun.
Thanks for your terrific review!
Michele