Quote:
Originally Posted by Peestie
I have to add that I adore this version of UTS. I think I like it more than the album version because there's just something extra to it IMO. I think maybe it sounds more dynamic. Maybe that's from Brett coming in with an extra guitar in the chorus, but presumable there's something similar going on in the studio version so I don't know. Maybe it's just the performance.
It's also nice to have this slower, more tender version of SUD. It's not as good as the Philadelphia bootleg, which is more upbeat and he'd been playing it longer so was more sure of himself with it, but it's nice to have it performed slightly differently for variety.
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These are my faves after the KILLING versions of ISA and IKINW. UTS is just slightly less robotic, although I love the albumcut too. That song just shines, it's so atmospheric, and I don't know how to say it, but it is made of glass, even in the liveversion. Very impressive. I like the
Liddy In Philly-bootleg more OVERALL. SUD is fantastic, studio AND live, and that's a very big achievement because they differ so much. Also here: that bootleg rules.