ELECTRICS (All Fenders...I've had other brands, but only luck with Fender.)
'95 American P-Bass (Black)
'94 American Strat (3-tone sunburst, maple neck)
'91 American Strat (3-tone sunburst, rosewood neck)
'91 Mexican Tele (Arctic White) It has all new electronics and hardware, including Duncan Seth Lover neck, Duncan Broadcaster bridge, and a through-body bridge (not stock on a '91) fitted with 6 brass saddles from G&L. Tuned to 5-string open-G. (How else would one play a Tele with that particular mod????)*
ACOUSTICS
'03 Seagull S6E
'92 Alvarez classical
AMPS
'70s Ampeg B15 (fliptop). With the P-Bass, I have THE bass sound!
'91 Yamaha T50D. Designed by Mike Soldano.
'94 Fender Blues Deville. Best sounding amp I've ever owned.
'78 Fender Super Reverb that I had converted to blackface specs and updated with new speakers (Jensen P10R), all new cosmetics (all Fender), and NOS tubes. All that's original are some caps, the pan, and the cabinet wood. It's essentially a brand new, PTP Fender Super Reverb. The Supers with Master Volumes were never worth anything anyway.*
*=I've acutally purchased the Tele and the Super twice. I only parted ways with these way back when for financial reasons. I traded the Tele towards a bass amp (and was sick about it two days later), but bought it dirt cheap at a sale at the same store about two years later. I traded a friend for the Super because I couldn't afford new tubes. He sold it back to me nine years later because he couldn't afford a new furnace.
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On and on it will always be, the rhythm, rhyme, and harmony.
THE Stephen Hopkins
Last edited by SteveMacD; 02-22-2007 at 07:40 PM..
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