Quote:
Originally posted by jeffles
Seteca,
You've never heard the Beatles "Here Comes the Sun"? You should probably give it a listen and you'll see why there a plenty of people disappointed with LB's version. Its not that his version is aweful, it isn't. I don't dislike it at all, but it was hardly a tribute. I particularly like when an artist pays tribute to others by completely recreating the song, such as Matchbox 20 doing a whole new take on "Never Going Back Again". However, , when you pay tribute to someone who died, you do a faithful version and put aside your own agenda. LB's totally offbeat take on the song wasn't appropriate for that setting.
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Well I listened to the original. The funny thing is that I first accidentally downloaded an
acoustic live version of the song (it's the one where he says "well i'm gonna do an acoustic song now...if we can get these mics to work...") and obviously I realised that it was a live version as soon as I started listening but I decided to carry on listening anyway...and well...maybe I'm going crazy but I actually thought it wasn't exactly light years apart from Lindsey's version......sure they weren't exactly identical, but if I had heard this acoustic version first, and then heard LB's, I would definitely have associated them immediately as the same song.
Then I downloaded the original studio version, and..yes...very rarely do I really like a song on first-listen, but it's truly a beautiful song...I loved it immediately.
Here's how I would "rate" them....the original studio version is amazing....and is so much better that I'd say it's in a different league to both his own and LB's live acoustic versions....but...I do prefer LB's live acoustic over George Harrison's.
I think there is a high chance that LB's "interpretation" of HCTS was directly based on this live acoustic version that I heard (which would make good sense seeing as his was also to be a "one man and one guitar" job), and not the original studio version.
