Quote:
Originally Posted by amber
That is John's bassline, and the bandwork, that is talking. Making it "funky" (only basslines make things funky  ) and sexy.  Ha, not really, but the band work in this one definitely makes it much more funky and sexy than it could have otherwise been with just the vocals.
Did that make sense? I can't tell.
Anyways, I agree. |
Yeah, that makes sense
But I think it's a combination of John's bass and Chris' Rhodes electric piano that make it funky. They get into a grove together to make sweet, sweet lurve baby
It's such a great song and I love how Christine comes in on that high note: "Sweeeet, wonderful you..." Her voice sounds so slinky on that song.