Quote:
Originally posted by CarneVaca
Disagree. I believe the songs fit because of the mix of musical styles present in this album. Even Lindsey's contributions, from song to song, don't quite go together stylistically. I mean, what does That's All for Everyone have to do with Tusk the song, for instance? Or Save Me a Place and The Ledge.
But there is an organic feel to just about all the tunes, probably owing to Lindsey's half-finished illusion and Christine's folk forays, that somehow glues them all together. Even where you find more evidently elaborate production, as in Sara and Not That Funny, there is a raw edge to the songs. In Not That Funny, the thing that's always appealed to me, besides the halting beat, is the three lead guitars at the end. It's a beautiful mess.
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TADAAA!!!!
Thank you for saving me type-work.
word for word, syllable by syllable. It's scary. I'm almost glad that I disagree with you on the perception of beautiful child.
Now THAT's why I totally love the studioversion. It's on so many fans' bottomlisters that it feels really good that yr' with me ( and SOME others ) on this one...
gerald