Quote:
Originally Posted by Villavic
I think the story about how Richard met them is from the same source somebody  used for his book. cause it's very similar. Since it was in quotation marks, I assume those are Richard's own words:
"They were staying with Keith Olsen," he remembers, "and cutting their album. Lindsey and I were friends five minutes after we met that first day of work. We went out back and smoked a joint. I met Stevie and twenty minutes later we decided to get a place together, since l was looking and they had to move out of Keith's. So we moved to North Hollywood, near Universal. I'd come home after twenty hours working with Keith in the studio and trip over Lindsey's microphone cables. He'd be up late working with his four-track. Various guitar players Waddy Wachtel and Warren Zevon would be passed out on the floor. Sometimes I'd find Stevie sleeping in my bed because she'd had a big argument with Lindsey. It wasn't a very easy life; you had to be resilient, and we were young."
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Would Waddy or Warren have been there if Lindsey hadn't been??
ok obvious jokes aside about them being there to woo Stevie, but otherwise....? I mean, it sorta proves the point that her appeal was sex appeal.
She said in recent years that Lindsey was the man who loved her the most out of all the men in her life. I think the evidence proves that out. And she exploited that for decades, sending him tapes of her stuff and asking him to help her out (even while slagging him off in the press). Chris couldn't figure out what to do with her sh*t, Petty admitted he often couldn't figure it out, and then they'd call in Lindsey to the rescue and he'd say oh do this and that etc and Tom said he'd listen to Lindsey's ideas and think to himself "oh, yeah, duh..why didn't I think of that" and said that despite their enmity Lindsey remains her best producer.
So I get why she felt the need to break away and show she was her own talent but.... her most enduring material remains the stuff he arranged and produced...