Thanks for posting this. There can never be enough praise for Christine, and it's wonderful that 'Everywhere' has become so beloved.
One of the reasons for this is the gorgeous arrangement, of course, and 'that extraordinary, tinkling keyboard part', as the article puts it, which was actually Lindsey's extraordinary, tinkling guitar part, played at a slow speed and then sped up. I think that's why it's so beguiling, because it manages to sound simultaneously organic, and like it couldn't have been played by human hands.
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