Quote:
Originally Posted by David
A highly unpopular opinion: When I listen to the screaming in the song in the early days, I get a sore throat. And not a good sore throat. I wince. I don’t like it. But I love the way the song used to wind out instrumentally, like a snake sunning itself and then coiling and striking. I think the playing is what most of us miss.
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The arrangement makes the whole thing. The solo, the nice quiet jam that ensues after with Christine’s amazing keys, the slow buildup to dreams unwind loves a state of mind…etc etc…the wild part with her screaming, and then the ending all building up to that crescendo at the end - the arrangement is on fire!