On “Dragonfly,” you hear three or four broken chords strummed which sound like an English garden, followed by an electric guitar figure that sort of bobs up and down and sideways as if to mimic the hovering of a dragonfly.
When Christine launches up an octave on “I’m OUT of my mind” on “Only Over You,” it’s like hearing a woman who’s a little out of her mind — one octave out of her mind, to be precise.
Somebody mentioned the brushes on “Sara” sounding like a heartbeat, which is cool — I see it — but the “Dreams” drum is also heartbeat-like.
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