Alas, I’m on board for a lot of Lindsey’s experimental stuff but not Red Rover.
I also prefer Stevie’s demos from the Rumours-Wild Heart timespan to most of what she has released as final versions later. In general I actually think that the production on Trouble in Shangri La got the essence of the demos better than what came out later on SYW or 24KG. Goes to show you that it’s better to record good songs when you have them and then figure out how to release them.
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