I don't see any filler on Fleetwood Mac or Rumours or Tusk. There may be songs some people don't like, but all of them are genuine and in some way innovative. For example, I usually don't like to listen to The Ledge, That's All for Everyine, and What Makes You Think You're the One...but all three of them are strong statements of Lindsey's musical direction. I'm not crazy about Never Make Me Cry, but it's a solid Christine tune.
I love Sugar Daddy and Warm Ways and Oh Daddy. The albums they appear on would be much poorer without their inclusion.
But Mirage and Tango have filler tunes (IMO): Empire State, Oh Diane (hit or no hit), and That's Alright. The last of these is a great tune and especially impressive in demo form, but the band just can't seem to commit to it on record, and Stevie sounds a bit bored. It's a shame, because it could have been a highlight.
The filler on Tango: Family Man (but with a killer flamenco guitar) and both Stevie-penned tunes.
After this, the albums are hit and miss.
I admire Say You Will and feel that it's the band's best studio album since Tusk. The filler tunes there are, as with Tusk, necessary insofar as they further an aesthetic and place the standout tracks in an interesting context. The album sags a bit in the middle, but I still really admire the effort.
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