Quote:
Originally Posted by cascade13
Would I be splitting hairs too much by talking about the "sound" of songs versus their artistic integrity? Part of what brings me back to the White Album and Rumours is their warmth, for lack of a better word. On the albums since then, Lindsey seems to aim for a more detached, sterile feel. "Red Rover" is a great example, especially compared to the studio versions of, say, "Never Going Back Again" or "Landslide," which are largely acoustic guitar-based aside from the vocals. It's not necessarily the speed of Lindsey's playing, or even the layering of his vocals (which admittedly isn't my favorite effect), but something else in the acoustics. To my ear, "Twisted" is the closest they've come to that older sound. Maybe someone with a little better handle on music production can clarify what they're hearing?
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see, too my ears White Album and Rumours have a completely different sound and production. White Album is cold, disconnected collection of some good and some exceptional songs sounding completely boring when put together. warmth you are talking about and that you hear in soundtrack version of Twisted is similar to Dashut-Caillat-Buckingham warmth of Rumours. Thrown Down from SYW has that similar sound, and that may be why so many fans of Rumours sound seem to latch onto it so much.
this difference in sound and warmth actually makes sense, considering the producer of White Album is Keith Olsen.
like you, i'm just describing what i'm hearing and feeling when hearing it and would love to hear opinions of people with at least some handle on music production.