Quote:
Originally Posted by bethelblues
I love that Angel performance. I wish the Tusk documentary was more accessible. It's not available on DVD. If the band would care more about just Rumours and get products like this documentary remastered and out there, their legacy would only be strengthened.
In the larger spectrum of concert films, they aren't exceptional. Don't come close to classics of the genre like Gimme Shelter (Rolling Stones), Martin Scorsese's The Last Waltz, and Jonathan Demme's docs/films on the Talking Heads and Neil Young (see Stop Making Sense). Difference is these were filmed with style by big name directors and are very special films and time capsules.
I love the Live album. It's too bad nobody really knows about it. The recordings are fantastic. Richard talked about it a little bit on his blog. This was the band at their peak, not The Dance. The Dance is great for what it is and even greater for bringing more exposure and new fans/new generations to Fleetwood Mac.
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I don't disagree with you. I think it's hard to deny that the band sounded and looked much better in the seventies and eighties than they do now. Well I guess Mick and John look different but their playing probably sounds exactly the same as it did thirty or forty years ago.
There are parts of
The Dance that I think are exceptional, like Silver Springs, Bleed to Love Her, Say You Love Me, Tusk and Don't Stop with the USC Marching Band. Temporary One is a really fun song and the band's 1997 performances of Rhiannon were probably the last ones to have some real spirit and energy.
Live in Boston 2003 showed the start of Stevie's decline in vocal quality but Stand Back and Silver Springs were great... I really enjoyed Second Hand News and Don't Stop from that DVD too.
There is certainly a lot more the band could do to strengthen their legacy, like you said, remastering and re-releasing filmed performances from the seventies and eighties on Blu-Ray disc and DVD. These remastered releases could coincide with the release of a new album and an On With the Show Tour DVD.
I read recently that Stevie had agreed with an interviewer that she sings better now than she did in the seventies and that she could teach voice. Well, she definitely could teach voice but she definitely does not sound better than she did in the seventies. I was, still, amazed by the quality of her vocal on
24 Karat Gold - Songs from the Vault: Blue Water, Cathouse Blues, 24 Karat Gold, All the Beautiful Worlds and Belle Fleur especially offer great vocal performances by her. Still, if you're looking for a knockout Stevie Nicks country song, That's Alright blows Cathouse Blues out of the water.